[et_pb_section fb_built=”1″ _builder_version=”4.27.5″ background_image=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2026\/02\/evans-v2-1920.jpg” background_position=”bottom_center” module_alignment=”center” min_height=”550px” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.82)” width=”75%” custom_margin=”100px||||false|false” custom_padding=”|20px||20px|false|true” global_colors_info=”{}”][et_pb_column type=”3_4″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ text_font=”Nhaas 65|600|||||||” text_text_color=”#d81e05″ text_font_size=”17px” text_line_height=”2.1em” header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_2_font=”DM Sans|700|||||||” header_2_text_align=”center” header_2_text_color=”#d81e05″ text_orientation=”center” width=”100%” width_tablet=”100%” width_phone=”100%” width_last_edited=”on|phone” module_alignment=”center” custom_margin=”||-3px||false|false” custom_padding=”|10px|0px|10px|false|true” hover_enabled=”0″ text_line_height_tablet=”1.7em” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|tablet” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”19px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Walker Evans. Now and Then<\/em>
by David Campany<\/h1>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row disabled_on=”on|on|on” _builder_version=”4.27.5″ width=”auto” max_width=”none” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”5px|||20px|false|false” global_colors_info=”{}”]Helen Levitt<\/b>
\nNew York<\/em>, 1976
\nDye transfer
\n\u00a9 Film Documents LLC, courtesy Zander Galerie, Cologne[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”65%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Walker Evans (St. Louis, Missouri, 1903–New Haven, Connecticut, 1975) is a key figure in modern photography and one of the great visual chroniclers of 20th-century America.<\/p>\n

The exhibition Walker Evans: Now and Then<\/em> offers a comprehensive review of his body of work and its influence on later generations of artists. From his self-portraits in the 1920s to his experimental photography with Polaroid in the 1970s, the exhibition reveals a photographer who questions the role of photography in documenting reality as well as the perception of reality through the medium.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.5″ link_text_color=”#e4151f” text_orientation=”center” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/a>Please contact infokbr@fundacionmapfre.org<\/a> for further assistance.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”1″ disabled_on=”off|off|off” _builder_version=”4.27.4″ width=”65%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_button button_url=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2026\/02\/kbr-invitados-walker-evans-en.pdf” url_new_window=”on” button_text=”Download the program (PDF 426KB) ” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”5px||5px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_button button_url=”https:\/\/fundacionmapfre.my.site.com\/area\/s\/login\/?language=es&startURL=\/area\/s\/eventos?alias=a0OTX00000Dz4K9″ url_new_window=”on” button_text=”Sign up” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.27.5″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”5px||5px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop” sticky_enabled=”0″][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Date” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.27.5″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” hover_enabled=”0″ icon_font_size=”60px” global_colors_info=”{}” sticky_enabled=”0″]February 25, 2026[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Time” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.27.5″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” hover_enabled=”0″ icon_font_size=”60px” global_colors_info=”{}” sticky_enabled=”0″]7 pm[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Format” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.27.5″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” hover_enabled=”0″ icon_font_size=”60px” global_colors_info=”{}” sticky_enabled=”0″]In-person and online[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”on|on|on” _builder_version=”4.27.5″ custom_margin=”25px||25px||true|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/12\/helen-es-1280×720-1.jpg” alt=”Helen Levitt por Joshua Chuang” title_text=”Helen Levitt por Joshua Chuang” url=”https:\/\/youtu.be\/M7ewBfzAgjg” url_new_window=”on” _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Walker Evans. Now and Thenby David CampanyHelen Levitt New York, 1976 Dye transfer \u00a9 Film Documents LLC, courtesy Zander Galerie, CologneWalker Evans (St. Louis, Missouri, 1903–New Haven, Connecticut, 1975) is a key figure in modern photography and one of the great visual chroniclers of 20th-century America. The exhibition Walker Evans: Now and Then offers a […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":48339,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-64150","page","type-page","status-publish","hentry"],"yoast_head":"\n