{"id":63496,"date":"2025-10-29T14:45:40","date_gmt":"2025-10-29T13:45:40","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/kbr-photo-award\/edicion-2025\/"},"modified":"2026-01-28T16:05:05","modified_gmt":"2026-01-28T15:05:05","slug":"edition-2025","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/en\/kbr-photo-award\/edition-2025\/","title":{"rendered":"Edici\u00f3n 2025"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.27.4″ background_image=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/cabecera-photo-award-2025.jpg” module_alignment=”center” min_height=”550px” custom_css_main_element=” display: flex;|| align-items: center;|| justify-content: center;” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.82)” width=”75%” custom_margin=”||||false|false” custom_padding=”|20px||20px|false|true” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ text_font=”Nhaas 65|600|||||||” text_text_color=”#d81e05″ text_font_size=”17px” text_line_height=”2.1em” header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_2_font=”DM Sans|700|||||||” header_2_text_align=”center” header_2_text_color=”#d81e05″ text_orientation=”center” width=”100%” width_tablet=”” width_phone=”” width_last_edited=”on|phone” module_alignment=”center” custom_margin=”||-3px||false|false” custom_padding=”|10px|0px|10px|false|true” text_line_height_tablet=”1.7em” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|tablet” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”19px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

KBr Photo Award<\/strong><\/h1>\n

Edition 2025<\/strong><\/h2>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.4″ custom_margin=”0px||||false|false” custom_padding=”5px||40px||false|false” da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”auto” max_width=”none” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.2″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”5px|||20px|false|false” disabled=”on” global_colors_info=”{}”]<\/p>\n

\u00a9 Anastasia Samoylova<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ disabled_on=”off|off|off” _builder_version=”4.22.2″ width=”65%” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/gloria-oyarzabal.jpg” alt=”Retrato de Gloria Oyarz\u00e1bal ” title_text=”Gloria Oyarz\u00e1bal ” show_bottom_space=”off” _builder_version=”4.27.4″ global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”off|off|off” _builder_version=”4.27.4″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”10px|||0px|false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Photo: Jewgeni Roppel<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” _builder_version=”4.27.4″ text_font=”|700|||||||” text_font_size=”23px” text_line_height=”1.4em” link_text_color=”#d81e05″ background_color=”#f6f6f6″ text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”30px|25px|30px|25px|true|true” global_colors_info=”{}”]<\/p>\n

Gloria Oyarz\u00e1bal, winner of the KBr Photo Award<\/a>.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.4″ custom_margin=”30px||||false|false” global_colors_info=”{}”]<\/p>\n

Spanish photographer and visual artist Gloria Oyarzábal has won the third edition of the KBr Photo Award for her project Appunti per un’Orestíade africana_una democracia en fatiga II<\/em>.<\/p>\n

The award, decided unanimously, recognizes the project’s contribution as postcolonial research and reflection on African countries.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Que es” module_id=”por-que” _builder_version=”4.20.4″ background_color=”#f6f6f6″ width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_margin=”70px||70px||false|false” custom_margin_tablet=”” custom_margin_phone=”15px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”30px|30px|30px|30px|true|true” locked=”off” collapsed=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” _builder_version=”4.27.4″ text_font_size=”18px” header_2_font=”|600|||||||” header_2_text_align=”center” header_2_text_color=”#0a0000″ header_2_font_size=”28px” header_2_line_height=”1.5em” custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”]<\/p>\n

The jury <\/h2>\n

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The jury for this third edition was composed of:<\/p>\n

    \n
  • Diane Dufour, co-director of LE BAL (Paris)<\/li>\n
  • Ram\u00f3n Revert\u00e9, editor at RM Publishing<\/li>\n
  • Krzysztof Candrowicz, independent curator<\/li>\n
  • Gabriela Urtiaga, chief curator of the Museum of Latin American Art (MOLAA, Los Angeles)<\/li>\n
  • Carlos Gollonet, chief photography curator at Fundaci\u00f3n Mapfre.<\/li>\n<\/ul>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”2″ disabled_on=”off|off|off” _builder_version=”4.27.4″ width=”65%” custom_margin=”||||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ link_text_color=”#d81e05″ custom_margin=”||||false|false” global_colors_info=”{}”]<\/p>\n

    Between myth and machine, this project interrogates the ruins of power. Echoing Aeschylus’ Oresteia<\/em> (458 BC)—which depicts a cycle of revenge, justice, and redemption—a new tragedy emerges: that of an exhausted democracy, fragmented by colonial heritage and digital mirage. Technology, presented as an instrument of progress, reproduces the same algorithms of domination: it classifies, orders, erases. Its neural networks inherit the bias of empires, and the shadows of colonial archives linger in its data.<\/p>\n

    Women—body, memory, living archive—appear as a territory of dispute and resistance. In their gaze, the layers of a history that AI cannot read intersect: an embodied memory that disobeys the code.<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/interior-768.jpg” alt=”Proyecto Bravo” title_text=”Felipe Romero Beltr\u00e1n” show_bottom_space=”off” _builder_version=”4.27.4″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”2″ disabled_on=”off|off|off” _builder_version=”4.27.4″ width=”65%” custom_margin=”0px||100px||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ link_text_color=”#d81e05″ custom_margin=”||||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

    Appunti per un\u2019Orest\u00edade Africana_una democracia en fatiga II<\/em> is an exercise in rewriting and (self)questioning. An essay that reflects on how to decolonize image and machine, and imagines diverse forms of justice that do not come from gods or data, but from the possibility of listening\u2014in the noise of the system\u2014to other ways of narrating, of being community, and of deciding.<\/p>\n

    In addition to the cash prize, the KBr Photo Award includes the organization of exhibitions at the KBr Fundaci\u00f3n Mapfre (Barcelona) and at the Foundation’s headquarters in Madrid to promote the project, as well as the publication of the corresponding catalog. \u00a0<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.27.4″ background_image=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/parallax-photo-award-v2-2025.jpg” parallax=”on” parallax_method=”off” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.22.2″ custom_margin=”25px||25px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ text_text_color=”#ffffff” background_enable_color=”off” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

    Gloria Oyarzábal (London, 1971) <\/strong>is a photographer and visual artist. Her work explores the legacies of colonialism and how they condition the construction of narratives around representation, identity, and power, questioning the position of women at the center of this framework. Her career has been marked by her relationship with the medium of film, the years she lived in Bamako (Mali), and the process of internal reflection in her practice. She conducts her research both in African countries such as Ghana, Nigeria, and Tanzania, and in European colonial institutions, aware of the tensions that exist in postcolonial discourses on image and archive.<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.4″ _module_preset=”default” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” width=”65%” custom_margin=”||40px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

    Of the 430 projects received, the jury selected as finalists<\/strong>, along with the winner, the proposals by Juan Valbuena<\/strong> and Juan Brenner.<\/strong><\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/galeria-superior-01.jpg” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.2″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”|||0px|false|false” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n

    Valla de obra (\u00abTecnolog\u00eda\u00bb), Madrid,<\/em> 2022
    \u00a9 Anastasia Samoylova<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/galeria-superior-02.jpg” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/galeria-superior-03.jpg” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/galeria-inferior-03.jpg” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.2″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”|||0px|false|false” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n

    Beauty Salon, Milan<\/em>, 2022
    \u00a9 Anastasia Samoylova<\/p>\n

    [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/galeria-inferior-02.jpg” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2025\/10\/galeria-inferior-01.jpg” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”on|on|on” _builder_version=”4.27.4″ _module_preset=”default” custom_margin=”||||false|false” disabled=”on” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-07-768.jpg” alt=”Beauty Sal\u00f3n, Milan, 2022″ title_text=”felipe-romero-beltran-galeria-07-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-08-768.jpg” alt=”Anastasia Samoylova, Valla de obra (\u00abTecnolog\u00eda\u00bb), Madrid, 2022 \u00a9 Anastasia Samoylova” title_text=”felipe-romero-beltran-galeria-08-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-09-768.jpg” alt=”Anastasia Samoylova, Advertisement on Opera House, Paris, 2021″ title_text=”felipe-romero-beltran-galeria-09-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row disabled_on=”on|on|on” _builder_version=”4.27.4″ _module_preset=”default” disabled=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”11px” text_line_height=”1.3em” custom_margin=”|||0px|false|false” global_colors_info=”{}”]<\/p>\n

    En las im\u00e1genes:<\/strong>
    El Friki, Grecia, Wily, L\u00e1zaro, El chicken, El pelusa, Dominik, Bryan, Nina, Martel, Abelino, Jos\u00e9, Pedro Meza, Mauricio, Mauricio, Santiago, Jefry, Miguel Angel, Alma y Aureliano.<\/p>\n

    [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

    KBr Photo Award Edition 2025\u00a9 Anastasia SamoylovaPhoto: Jewgeni RoppelGloria Oyarz\u00e1bal, winner of the KBr Photo Award.Spanish photographer and visual artist Gloria Oyarzábal has won the third edition of the KBr Photo Award for her project Appunti per un’Orestíade africana_una democracia en fatiga II. The award, decided unanimously, recognizes the project’s contribution as postcolonial research and […]<\/p>\n","protected":false},"author":12,"featured_media":63462,"parent":50620,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-63496","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nGloria Oyarz\u00e1bal: Winner III KBr Photo Award | Fundaci\u00f3n MAPFRE<\/title>\n<meta name=\"description\" content=\"Explore Gloria Oyarz\u00e1bal's project, winner of the III KBr Photo Award, reflecting on colonial legacies and the decolonization of image and machine.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kbr.fundacionmapfre.org\/en\/kbr-photo-award\/edition-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gloria Oyarz\u00e1bal: Winner III KBr Photo Award | Fundaci\u00f3n MAPFRE\" \/>\n<meta property=\"og:description\" content=\"Explore Gloria Oyarz\u00e1bal's project, winner of the III KBr Photo Award, reflecting on colonial legacies and the decolonization of image and machine.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kbr.fundacionmapfre.org\/en\/kbr-photo-award\/edition-2025\/\" \/>\n<meta property=\"og:site_name\" content=\"KBr - 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