[et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row disabled_on=”off|off|off” module_id=”exposiciones” _builder_version=”4.27.4″ custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” _builder_version=”4.27.4″ text_font=”|600|||||||” text_font_size=”23px” text_line_height=”1.4em” background_color=”#f6f6f6″ text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”30px||30px||true|false” global_colors_info=”{}”]<\/p>\n
EXTENDED OPENING HOURS<\/strong><\/span> [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ collapsed=”off” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/10\/interior-bresson-768.jpg” alt=”Palacio de Invierno, Leningrado, Rusia, 1973, From 11 October 2024 to 26 January 2025<\/strong>[\/et_pb_text][et_pb_blurb title=”Discover the exhibition” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.25.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4031f” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n Hardly any other photographer in the 20th century has created such a rich and varied oeuvre as Henri Cartier-Bresson (1908-2004). A photojournalist, artistic photographer and portraitist, he created timeless compositions and influenced the style of subsequent generations of photographers. Throughout his career, Cartier-Bresson developed different styles and tackled a multitude of subjects. His works, many of which have become icons today, depict some of the most important events of the 20th century. In this sense, the exhibition is a true journey through time that allows us to appreciate some of the social, political and artistic transformations of the last century, together with the evolution of photography itself.<\/p>\n On the other hand, the exhibition also highlights the political dimension of his work, an aspect that had hitherto generally been relegated to the background due to the focus on his predilection for geometry and the theory of the \u201cdecisive moment\u201d.\u00a0<\/p>\n The 240 original silver gelatin prints belonging to the Fondation Henri Cartier-Bresson in Paris that make up the exhibition are accompanied by a selection of his publications in magazines and books, as well as a film and two documentaries made by Cartier-Bresson himself.<\/p>\n [\/et_pb_blurb][et_pb_blurb title=”Magnum” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.25.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” custom_margin=”35px||||false|false” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n In 1947, after his major exhibition at the Museum of Modern Art in New York, Cartier-Bresson founded Magnum with other photographers such as Robert Capa, George Rodger, and David \u201cChim\u201d Seymour. At the agency, each photographer could retain the rights to their own photographs and was almost free to choose the stories they would work on. Magnum thus became one of the world’s benchmarks for quality photojournalism. Committed to the adventure that the agency represented, Cartier-Bresson devoted himself intensely to his work as a reporter from that time until 1970.<\/p>\n [\/et_pb_blurb][et_pb_blurb title=”The Decisive Moment” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.25.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” custom_margin=”35px||||false|false” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n In 1952 Cartier-Bresson published his monograph Images \u00e0 la sauvette <\/em>(literally, \u201cimages by stealth\u201d), simultaneously published in English as The Decisive Moment<\/em>. Translating the idea of movement into a still image such as photography was one of the artist’s major concerns, and he captured it through what is known as the \u201cdecisive moment\u201d. It is that exact moment when we see a man’s legs bending as he is about to jump or a woman’s head covered by a curtain due to the wind. Seconds later, the man will put his legs back on the ground and another gust of wind will uncover the woman’s head, but all of that will be another instant.<\/p>\n [\/et_pb_blurb][et_pb_text disabled_on=”on|on|on” _builder_version=”4.25.1″ _module_preset=”default” text_text_color=”#FFFFFF” background_color=”#e4151f” custom_padding=”9px||9px||true|false” custom_padding_tablet=”9px||9px||true|false” custom_padding_phone=”|9px||9px|true|true” custom_padding_last_edited=”on|phone” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n Venta online de entradas a partir del 31 de mayo<\/p>\n [\/et_pb_text][et_pb_button button_url=”https:\/\/www.fundacionmapfre.org\/en\/art-and-culture\/exhibitions\/kbr-photography-center\/henri-cartier-bresson\/” url_new_window=”on” button_text=”Buy your joint ticket” button_alignment=”left” button_alignment_tablet=”left” button_alignment_phone=”center” button_alignment_last_edited=”on|phone” disabled_on=”on|on|on” _builder_version=”4.27.4″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_use_icon=”off” custom_margin=”20px|||48px|false|false” custom_margin_tablet=”20px|||48px|false|false” custom_margin_phone=”|||0px|false|false” custom_margin_last_edited=”on|phone” disabled=”on” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_bg_enable_color__hover=”on” button_border_color__hover_enabled=”on|hover” button_border_color__hover=”#ffffff”][\/et_pb_button][et_pb_blurb title=”Materials” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”off|off|off” _builder_version=”4.25.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||-15px||false|false” custom_padding=”||0px||false|false” icon_font_size=”25px” global_colors_info=”{}”][\/et_pb_blurb][et_pb_button button_url=”https:\/\/documentacion.fundacionmapfre.org\/documentacion\/publico\/es\/bib\/186380.do” url_new_window=”on” button_text=”Download the keys to the exhibition and the exhibition texts” button_alignment=”left” button_alignment_tablet=”left” button_alignment_phone=”center” button_alignment_last_edited=”on|phone” disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_button=”on” button_text_size=”13px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”||divi||400″ custom_margin=”20px|||48px|false|false” custom_margin_tablet=”20px|||48px|false|false” custom_margin_phone=”|||0px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_bg_enable_color__hover=”on” button_border_color__hover_enabled=”on|hover” button_border_color__hover=”#ffffff”][\/et_pb_button][et_pb_blurb title=”Materiales” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”on|on|on” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||||false|false” icon_font_size=”25px” disabled=”on” global_colors_info=”{}”]<\/p>\n
Friday, Saturday and Sunday until 10 pm<\/p>\n
\nCopia de plata en gelatina” title_text=”Henri Cartier-Bresson” show_bottom_space=”off” _builder_version=”4.25.1″ custom_margin=”||10px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ text_font_size=”12px” text_line_height=”1.3em” custom_margin=”||||false|false” global_colors_info=”{}”]Henri Cartier-Bresson<\/strong>
\nWinter Palace, Leningrad, Russia<\/em>, 1973
© Fondation Henri Cartier-Bresson \/ Magnum Photos[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ background_color=”#f6f6f6″ custom_padding=”25px|25px|25px|25px|true|true” global_colors_info=”{}”][et_pb_text _builder_version=”4.25.1″ header_font=”DM Sans|700|||||||” header_font_size=”45px” header_2_font=”DM Sans||on||||||” custom_margin=”||35px||false|false” global_colors_info=”{}”]<\/p>\nHenri Cartier-Bresson<\/h1>\n
Watch!, Watch!, Watch!<\/h2>\n