{"id":58863,"date":"2024-02-23T11:27:58","date_gmt":"2024-02-23T10:27:58","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/activities\/la-camara-domestica-historias-de-la-fotografia-amateur\/"},"modified":"2024-11-22T11:20:42","modified_gmt":"2024-11-22T10:20:42","slug":"the-domestic-camera-stories-of-amateur-photography","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/en\/activities\/the-domestic-camera-stories-of-amateur-photography\/","title":{"rendered":"The Domestic Camera Stories of Amateur Photography"},"content":{"rendered":"

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The Domestic Camera<\/strong><\/h1>\n

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Stories of Amateur<\/em> Photography<\/h2>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.20.4″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.4″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.20.4″ width=”auto” max_width=”none” custom_margin=”10px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”5px|||20px|false|false” global_colors_info=”{}”]<\/p>\n

Exhibition view of The domestic camera. Amateur photography in Catalonia (c. 1880-1936)<\/em>, KBr Fundaci\u00f3n MAPFRE, 2024. \u00a9 David Campos<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.4″ width=”65%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ global_colors_info=”{}”]<\/p>\n

Under the direction of Núria F. Rius, curator of The domestic camera. <\/em>Amateur photography in Catalonia (c. 1880-1936<\/em>), on view until May 12 at KBr Fundación MAPFRE, this series brings together renowned historians and specialists to discuss one of the most interesting aspects of the history of photography: the emergence and spread of amateur <\/em>photography.  <\/p>\n

This process, which emerged at the end of the 19th century and has not ceased to gain importance until today, allows us to observe and analyze the social and cultural contexts of photographic practice, the way in which photography is introduced into the private sphere and many other aspects that help us understand the role that photography plays in our culture.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ link_text_color=”#e4151f” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

New registrations will be attended up to 3 hours prior to each session.<\/strong><\/p>\n

Please contact infokbr@fundacionmapfre.org<\/a> for further assistance.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.24.0″ width=”65%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/02\/kbr-la-camara-domestica-en.pdf” url_new_window=”on” button_text=”Download the program (PDF 197KB) ” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.24.0″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”6px||50px||false|false” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_css_main_element=”display:flex;||flex-direction:row;” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Dates” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.24.0″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]5, 6, 7, 12, 13, 14 and 19
\nMarch 2024[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Time” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.24.0″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]7 pm[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Format” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.24.0″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]In-person and online[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”65%” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ header_2_font=”|600|||||||” header_2_text_align=”center” global_colors_info=”{}”]<\/p>\n

Program<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

March<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.24.0″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.05.2024<\/strong>
\nMar\u00eda Ros\u00f3n
\nA love story within a story:
\npersonal photography up to
\ndevelopmentalism (1940-1960)<\/em>
\n7 pm, in-person and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.06.2024<\/strong>
\nBeatriz Pichel
\nAmateur photography,
\nemotions and war experiences<\/em>
\n7 pm, in-person and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.07.2024<\/strong>
\nM\u00f3nica Alonso
\nInhabiting the present. Domestic
\nphotography, affection and the poetics
\nof resistance in the postwar period<\/em>
\n7 pm, in-person and online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.24.0″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.12.2024<\/strong>
\nPedro Vicente
\nDomestic narratives. The family album
\nand its uses, reuses and recycling in
\ncontemporary artistic practices<\/em>
\n7 pm, in-person and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.13.2024<\/strong>
\nElizabeth Edwards
\nAmateur Photographers: civic society,
\nsocial exchange and common goods
\nin Britain 1880-1920<\/em>
\n7 pm, in-person and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.14.2024<\/strong>
\nChristian Joschke
\nVernacular, Domestic and Amateur
\nPhotography. Reframing 19th and
\n20th Century Image Practices<\/em>
\n7 pm, in-person and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.19.2024<\/strong>
\nGeoffrey Batchen
\nAmateur Photography:
\nA Love Story<\/em>
\n7 pm, in-person and online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/maria-roson-es-1280×720-1.jpg” alt=”Mar\u00eda Ros\u00f3n” title_text=”Mar\u00eda Ros\u00f3n A love story within a story: personal photography up to developmentalism (1940-1960)” url=”https:\/\/www.youtube.com\/watch?v=rQijzMYFNoo” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/pichel-es-1280×720-1.jpg” alt=”Beatriz Pichel” title_text=”Beatriz Pichel Amateur photography, emotions and war experiences” url=”https:\/\/www.youtube.com\/watch?v=GpeHNtLgLU8″ url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/alonso-es-1280×720-1.jpg” alt=”M\u00f3nica Alonso” title_text=”M\u00f3nica Alonso Inhabiting the present. Domestic photography, affection and the poetics of resistance in the postwar period” url=”https:\/\/www.youtube.com\/watch?v=N3KbFG9PNTU” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/vicente-es-1280×720-1.jpg” alt=”Pedro Vicente” title_text=”Pedro Vicente Domestic narratives. The family album and its uses, reuses and recycling in contemporary artistic practices” url=”https:\/\/www.youtube.com\/watch?v=u2lR_QSx2Ik” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/edwards-en-1280×720-1.jpg” alt=”Elizabeth Edwards” title_text=”Elizabeth Edwards. Amateur Photographers: civic society, social exchange and common goods in Britain 1880-1920″ url=”https:\/\/www.youtube.com\/watch?v=cvmlMeYl_Sw” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/joschke-es-1280×720-1.jpg” alt=”Christian Joschke” title_text=”Christian Joschke. Vernacular, Domestic and Amateur Photography. 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