{"id":58729,"date":"2024-02-09T13:23:23","date_gmt":"2024-02-09T12:23:23","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/exhibitions\/la-camara-domestica\/"},"modified":"2024-05-28T22:06:18","modified_gmt":"2024-05-28T20:06:18","slug":"the-domestic-camera","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/en\/exhibitions\/the-domestic-camera\/","title":{"rendered":"The domestic camera"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row disabled_on=”on|on|on” admin_label=”mujer” _builder_version=”4.24.0″ _module_preset=”default” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.24.0″ _module_preset=”default” global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” _builder_version=”4.24.0″ text_font=”|700|||||||” text_font_size=”23px” text_line_height=”1.4em” background_color=”#f6f6f6″ text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”30px||30px||true|false” locked=”off” global_colors_info=”{}”]March 8 Women\u2019s Day \u2013 Free Access[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ collapsed=”on” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/02\/maria-josepa-768x.jpg” alt=”Autor\u00eda desconocida, Maria Josepa Izard Llonch columpi\u00e1ndose en la playa de Sant Feliu de Guixols, Girona, 1923
\nArxiu Hist\u00f2ric de Sabadell (AHS), Fons Maria Josepa Izard Llonch, Sabadell” title_text=”Autor\u00eda desconocida, Maria Josepa Izard Llonch columpi\u00e1ndose en la playa de Sant Feliu de Guixols, Girona, 1923 ” show_bottom_space=”off” _builder_version=”4.23.4″ custom_margin=”||10px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.23.4″ text_font_size=”12px” text_line_height=”1.3em” custom_margin=”||||false|false” global_colors_info=”{}”]Autor\u00eda desconocida<\/strong>
\nMaria Josepa Izard Llonch columpi\u00e1ndose en la playa de Sant Feliu de Guixols, Girona,<\/em> 1923
\nArxiu Hist\u00f2ric de Sabadell, Fons Maria Josepa Izard Llonch, Sabadell[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ background_color=”#f6f6f6″ custom_padding=”25px|25px|25px|25px|true|true” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ header_font=”DM Sans|700|||||||” header_font_size=”45px” header_2_font=”DM Sans||on||||||” custom_margin=”||35px||false|false” global_colors_info=”{}”]<\/p>\n

The domestic camera<\/h1>\n

Amateur photography in Catalonia
(ca. 1880-1936)<\/h2>\n

15 February to 12 May 2024<\/strong><\/p>\n

[\/et_pb_text][et_pb_blurb title=”Discover the exhibition” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4031f” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n

For decades, amateur photography remained on the margins of the official history of photography, mainly due to its character as a mass activity and the shortcomings of many of its productions. For some time now, however, it has been the subject of attention for the way in which it manifests different social and cultural aspects of its time.<\/p>\n

Amateur photographic culture took strong root in Catalonia from 1880 onwards and would not cease to arouse extraordinary social fervour until the outbreak of the Spanish Civil War in 1936. This exhibition traces its evolution through a thematic route that presents nearly 300 pieces (photographs, objects and period documents) that have been brought together thanks to the collaboration of seventeen public institutions (including archives, museums, libraries and research centres) and nine private collections.<\/p>\n

[\/et_pb_blurb][et_pb_blurb title=”Enthusiasts and amateurs” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” custom_margin=”35px||||false|false” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n

Amateur photography is that which arises outside the production logic of the professional market and encompasses a wide variety of users, among whom we must distinguish the common “enthusiast” from the “amateur”, according to the terminological distinction of the time. The ordinary enthusiast, or simple hobbyist, usually uses the camera on an occasional and often seasonal basis, e.g. on holidays, while the amateur, also called the “serious” amateur, acts, in a way, as a non-professional professional. They devote time and effort to photography, project in their hobby a certain yearning for progress and improvement and, from time to time, participate in activities that may lead to some recognition, such as competitions and exhibitions.<\/p>\n

[\/et_pb_blurb][et_pb_blurb title=”Visual and discursive influences” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” custom_margin=”35px||||false|false” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n

Domestic photography evolved along with visual culture. While in its early days it was influenced by painting, especially landscape painting, the mass media, such as cinema and the press, soon exerted an increasingly strong influence on amateur photographers, whose gaze evolved under the unstoppable and powerful influence of these new visual languages.<\/p>\n

[\/et_pb_blurb][et_pb_text disabled_on=”on|on|on” _builder_version=”4.23.4″ _module_preset=”default” text_text_color=”#FFFFFF” background_color=”#e4151f” custom_padding=”9px||9px||true|false” custom_padding_tablet=”9px||9px||true|false” custom_padding_phone=”|9px||9px|true|true” custom_padding_last_edited=”on|phone” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n

Online ticket sales from february 12<\/p>\n

[\/et_pb_text][et_pb_blurb title=”Materials” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”off|off|off” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||-15px||false|false” custom_padding=”||0px||false|false” icon_font_size=”25px” global_colors_info=”{}”][\/et_pb_blurb][et_pb_button button_url=”https:\/\/documentacion.fundacionmapfre.org\/documentacion\/publico\/es\/bib\/184997.do?queryId=10810&position=2″ url_new_window=”on” button_text=”Click here for more content about the exhibition” button_alignment=”left” button_alignment_tablet=”left” button_alignment_phone=”center” button_alignment_last_edited=”on|phone” disabled_on=”off|off|off” _builder_version=”4.24.0″ custom_button=”on” button_text_size=”13px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”||divi||400″ custom_margin=”20px|||48px|false|false” custom_margin_tablet=”20px|||48px|false|false” custom_margin_phone=”|||0px|false|false” custom_margin_last_edited=”on|phone” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_bg_enable_color__hover=”on” button_border_color__hover_enabled=”on|hover” button_border_color__hover=”#ffffff”][\/et_pb_button][et_pb_blurb title=”Materiales” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”on|on|on” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||||false|false” icon_font_size=”25px” disabled=”on” global_colors_info=”{}”]<\/p>\n

Discover the exhibition resources<\/a><\/p>\n

[\/et_pb_blurb][et_pb_blurb title=”Activities” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”on|on|on” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||||false|false” icon_font_size=”25px” disabled=”on” global_colors_info=”{}”]<\/p>\n

Conversaci\u00f3n con Bleda y Rosa (martes, 7 junio) <\/a><\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.23.4″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/02\/retrato-ateneo-1920x.jpg” parallax=”on” parallax_method=”off” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ custom_margin=”75px||75px||true|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.23.4″ text_text_color=”#ffffff” header_2_font=”|600|||||||” header_2_text_color=”#FFFFFF” header_2_font_size=”27px” background_color=”rgba(51,51,51,0.69)” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

A cross-cutting activity<\/h2>\n

Domestic and amateur photography of this period was inter-class, inter-generational and available to both men and women. However, not all users took the same type of images; on the contrary, the results of their photographic practice were conditioned by the social categories that crossed them: class, gender and generation.<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_4,1_2,1_4″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ width=”85%” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_blurb title=”Where?” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” custom_margin=”||||false|false” icon_font_size=”25px” global_colors_info=”{}”]KBr Fundaci\u00f3n MAPFRE
\nAvenida Litoral, 30 \u2013 08005 Barcelona[\/et_pb_blurb][et_pb_blurb title=”Times” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” custom_margin=”||||false|false” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n

Monday (except holidays): Closed
Tuesday to Sunday (and holidays): from 11:00 a.m. to 8:00 p.m.<\/p>\n

[\/et_pb_blurb][et_pb_text disabled_on=”on|on|on” _builder_version=”4.23.4″ _module_preset=”default” text_text_color=”#FFFFFF” background_color=”#e4151f” custom_padding=”9px||9px||true|false” custom_padding_tablet=”9px||9px||true|false” custom_padding_phone=”|9px||9px|true|true” custom_padding_last_edited=”on|phone” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n

Online ticket sales from 12 February<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][dica_divi_carousel show_items_desktop=”1″ show_items_tablet=”1″ multislide=”on” transition_duration=”6500″ loop=”on” autoplay=”on” hoverpause=”on” advanced_effect=”1″ arrow_nav_color=” #e4151e” disabled_on=”off|off|off” _builder_version=”4.23.4″ global_colors_info=”{}”][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/02\/rosal-grelon-768x.jpg” image_alt=”Antoni Rosal Grelon<\/strong> Grupo de hombres alrededor de un peque\u00f1o estanque<\/em>, d\u00e9cadas de 1910-1920. Arxiu Nacional de Catalunya (ANC), Fons Antoni Rosal Grelon, Sant Cugat del Vall\u00e8s” content_padding=”5px||0||false|true” _builder_version=”4.23.4″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n

Antoni Rosal Grelon<\/strong>
Grupo de hombres alrededor de un peque\u00f1o estanque<\/em>, d\u00e9cadas de 1910-1920.
Arxiu Nacional de Catalunya (ANC), Fons Antoni Rosal Grelon, Sant Cugat del Vall\u00e8s<\/p>\n

[\/dica_divi_carouselitem][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/02\/autorretrato-768x.jpg” image_alt=”Autor\u00eda desconocida, Autorretrato de una joven con c\u00e1mara y tr\u00edpode frente a un espejo, ca. 1929-1935. Col\u00b7lecci\u00f3 Jordi Baron Rub\u00ed ” content_padding=”5px||0||false|true” _builder_version=”4.23.4″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n

Autor\u00eda desconocida <\/strong>
Autorretrato de una joven con c\u00e1mara y tr\u00edpode frente a un espejo<\/em>, ca. 1929-1935
Col\u00b7lecci\u00f3 Jordi Baron Rub\u00ed<\/p>\n

[\/dica_divi_carouselitem][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/02\/serra-de-budalles-768x.jpg” image_alt=”Hermenter Serra de Budall\u00e9s, Grupo de estudiantes de la Escuela Superior de Ingenieros Industriales de Barcelona visitando el interior de una cantera, 1916. Arxiu Nacional de Catalunya (ANC), Fons Hermenter Serra de Budall\u00e9s, Sant Cugat del Vall\u00e8s” content_padding=”5px||0||false|true” _builder_version=”4.23.4″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]Hermenter Serra de Budall\u00e9s <\/strong>
\nGrupo de estudiantes de la Escuela Superior de Ingenieros Industriales de Barcelona visitando el interior de una cantera<\/em>, 1916.
\nArxiu Nacional de Catalunya (ANC), Fons Hermenter Serra de Budall\u00e9s, Sant Cugat del Vall\u00e8s[\/dica_divi_carouselitem][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/02\/carrera-bou-768x.jpg” image_alt=”Francesc Carrera Bou, Serie de retratos familiares y un bodeg\u00f3n, ca. 1920. Museu Nacional d\u2019Art de Catalunya (MNAC), Dip\u00f2sit de V\u00edctor Carrera, 2006 \u00a9 Museu Nacional d\u2019Art de Catalunya, Barcelona, 2023″ content_padding=”5px||0||false|true” _builder_version=”4.23.4″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n

Francesc Carrera Bou<\/strong>
Serie de retratos familiares y un bodeg\u00f3n<\/em>, ca. 1920.
Museu Nacional d\u2019Art de Catalunya (MNAC), Dip\u00f2sit de V\u00edctor Carrera, 2006
\u00a9 Museu Nacional d\u2019Art de Catalunya, Barcelona, 2023<\/p>\n

[\/dica_divi_carouselitem][\/dica_divi_carousel][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_testimonial _builder_version=”4.23.4″ body_text_align=”center” body_font_size=”18px” text_orientation=”center” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”]<\/p>\n

\u00abIf we understand that these images are based on strong social and collective components, it is not surprising that they become objects with a life of their own that outlive their producers\u00bb.<\/p>\n

[\/et_pb_testimonial][et_pb_text _builder_version=”4.23.4″ text_font=”|700|||||||” text_font_size=”14px” background_color=”#f5f5f5″ text_orientation=”right” custom_margin=”0px||||false|false” custom_padding=”10px|15px|15px|15px|false|true” global_colors_info=”{}”]<\/p>\n

N\u00faria F. Rius<\/span><\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Explore the fascinating amateur photography culture in Catalonia with the exhibition The Domestic Camera by Fundaci\u00f3n MAPFRE. Buy your tickets!<\/p>\n","protected":false},"author":12,"featured_media":58704,"parent":48468,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-58729","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nThe Domestic Camera: Exhibition at KBr Barcelona | Fundaci\u00f3n MAPFRE<\/title>\n<meta name=\"description\" content=\"Explore the fascinating amateur photography culture in Catalonia with the exhibition The Domestic Camera by Fundaci\u00f3n MAPFRE. 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