[et_pb_section fb_built=”1″ _builder_version=”4.22.2″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-parallax-2000.jpg” module_alignment=”center” min_height=”550px” custom_css_main_element=” display: flex;|| align-items: center;|| justify-content: center;” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.82)” width=”75%” custom_margin=”||||false|false” custom_padding=”|20px||20px|false|true” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ text_font=”Nhaas 65|600|||||||” text_text_color=”#d81e05″ text_font_size=”17px” text_line_height=”2.1em” header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_2_font=”DM Sans|700|||||||” header_2_text_align=”center” header_2_text_color=”#d81e05″ text_orientation=”center” width=”100%” width_tablet=”” width_phone=”” width_last_edited=”on|phone” module_alignment=”center” custom_margin=”||-3px||false|false” custom_padding=”|10px|0px|10px|false|true” text_line_height_tablet=”1.7em” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|tablet” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”19px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

KBr Photo Award<\/strong><\/h1>\n

2023 edition<\/strong><\/h2>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.4″ custom_margin=”0px||||false|false” custom_padding=”5px||40px||false|false” da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”auto” max_width=”none” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.2″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”5px|||20px|false|false” disabled=”on” global_colors_info=”{}”]<\/p>\n

\u00a9 Anastasia Samoylova<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ disabled_on=”off|off|off” _builder_version=”4.22.2″ width=”65%” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-768.jpg” alt=”Retrato de Felipe Romero Beltr\u00e1n” title_text=”Felipe Romero Beltr\u00e1n” show_bottom_space=”off” _builder_version=”4.22.2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” _builder_version=”4.22.2″ text_font=”|700|||||||” text_font_size=”23px” text_line_height=”1.4em” link_text_color=”#d81e05″ background_color=”#f6f6f6″ text_orientation=”center” custom_margin=”0px||0px||false|false” custom_padding=”30px|25px|30px|25px|true|true” global_colors_info=”{}”]<\/p>\n

The Colombian Felipe Romero Beltr\u00e1n<\/strong> winner of the II Edition of KBr Photo Award<\/a> with his project Bravo<\/em><\/strong>.<\/p>\n

[\/et_pb_text][et_pb_text _builder_version=”4.22.2″ custom_margin=”30px||||false|false” global_colors_info=”{}”]<\/p>\n

The prize, awarded unanimously, recognises the originality of Bravo<\/em><\/strong>, a story that explores a space of tension and conflict (the Mexican border with the United States), adding a poignant poetic dimension to the documentary language.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row admin_label=”Que es” module_id=”por-que” _builder_version=”4.20.4″ background_color=”#f6f6f6″ width_tablet=”” width_phone=”100%” width_last_edited=”on|phone” custom_margin=”70px||70px||false|false” custom_margin_tablet=”” custom_margin_phone=”15px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”30px|30px|30px|30px|true|true” locked=”off” collapsed=”on” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” _builder_version=”4.22.2″ text_font_size=”18px” header_2_font=”|600|||||||” header_2_text_align=”center” header_2_text_color=”#0a0000″ header_2_font_size=”28px” header_2_line_height=”1.5em” custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”]<\/p>\n

The jury<\/h2>\n

[\/et_pb_text][et_pb_text _builder_version=”4.27.5″ hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

The jury<\/strong> for this second edition was formed by:<\/p>\n

 <\/p>\n

\n
• Michael Mack, editor (London)<\/li>\n
• Alona Pardo, curator of the Barbican Art Gallery (London)<\/li>\n
• Valent\u00edn Roma, director of La Virreina Centre de la Imatge (Barcelona)<\/li>\n
• Elisabeth Sherman, chief curator and director of exhibitions and collections at the International Center of Photography (ICP, New York)<\/li>\n
• Carlos Gollonet, chief curator of Photography at Fundaci\u00f3n Mapfre<\/li>\n<\/ul>\n

  [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”2″ disabled_on=”off|off|off” _builder_version=”4.20.4″ width=”65%” custom_margin=”||100px||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.27.5″ link_text_color=”#d81e05″ custom_margin=”||||false|false” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

  Situated in the space where those who aspire to crossing the river to get to the United States are waiting for the moment to do so, Bravo<\/em><\/strong> is, in Romero Beltr\u00e1n<\/a>‘s own words, an essay that records bodies, objects and architectures of a place that precedes, in this waiting, the border<\/em>. To the extent that the migratory conflict that takes place on the R\u00edo Bravo has a continental dimension, Bravo<\/em><\/strong> is an ongoing, long-term project that, as its author points out, insists on the implications and relations that the photographic document establishes with the reality it approaches in order to construct, from a stopped image, a gaze displaced from the generalized narrative, emphasizing the territory of the river as well as the inhabitants, who also constitute the border<\/em>.<\/p>\n

  In addition to the monetary prize, the KBr Photo Award includes the organization of exhibitions at the KBr Fundaci\u00f3n Mapfre (Barcelona) and at the Foundation’s Madrid headquarters to publicize the project, as well as the publication of the accompanying catalogue.<\/p>\n

  [\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-06-768.jpg” alt=”Proyecto Bravo” title_text=”Felipe Romero Beltr\u00e1n” show_bottom_space=”off” _builder_version=”4.22.2″ global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.2″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-cabecera-2000.png” parallax=”on” parallax_method=”off” da_disable_devices=”off|off|off” locked=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.22.2″ custom_margin=”25px||25px||true|false” custom_padding=”0px||0px||true|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ text_text_color=”#ffffff” background_enable_color=”off” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]Felipe Romero Beltr\u00e1n <\/strong>(Bogot\u00e1, 1992) is a photographer and visual artist. Aware of the tensions in contemporary practices, his work explores the limits of documentary photographic logic, approaching case studies that investigate the possible relations between document and society. Romero Beltr\u00e1n is interested in territories that go through or have gone through processes of conflict and allow them to be approached as devices for visual reflection. His practice takes elements close to the fields of politics and social history, deeply influenced by the photographic tradition. He is currently working on a doctoral programme at the Complutense University of Madrid and, at the same time, he is carrying out photographic projects in Colombia, Spain and Mexico.[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.20.4″ _module_preset=”default” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row use_custom_gutter=”on” gutter_width=”2″ disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” width=”65%” custom_margin=”||40px||false|false” custom_padding=”||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n

  From more than 200 projects received, the jury selected as finalists, together with the winner, the proposals of\u00a0 Coco Capit\u00e1n<\/strong>, for Ookini Seishun<\/em>; and Juan del Junco<\/strong> for No borders for a bird that flies (or simply walks).<\/em><\/p>\n

  [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||||false|false” custom_padding=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-01-768.jpg” alt=”Anastasia Samoylova, Valla de obra (\u00abTecnolog\u00eda\u00bb), Madrid, 2022 \u00a9 Anastasia Samoylova” title_text=”Anastasia Samoylova, Valla de obra (\u00abTecnolog\u00eda\u00bb), Madrid, 2022 \u00a9 Anastasia Samoylova” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.2″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”|||0px|false|false” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n

  Valla de obra (\u00abTecnolog\u00eda\u00bb), Madrid,<\/em> 2022
  \u00a9 Anastasia Samoylova<\/p>\n

  [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-02-768.jpg” alt=”Anastasia Samoylova, Red Eye, Times Square, New York, 2021″ title_text=”felipe-romero-beltran-galeria-02-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-03-768.jpg” alt=”Anastasia Samoylova, Red Eye, Times Square, New York, 2021″ title_text=”felipe-romero-beltran-galeria-03-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-04-768.jpg” alt=”Beauty Sal\u00f3n, Milan, 2022″ title_text=”felipe-romero-beltran-galeria-04-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.2″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”|||0px|false|false” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n

  Beauty Salon, Milan<\/em>, 2022
  \u00a9 Anastasia Samoylova<\/p>\n

  [\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-05-768.jpg” alt=”Anastasia Samoylova, Valla de obra (\u00abTecnolog\u00eda\u00bb), Madrid, 2022 \u00a9 Anastasia Samoylova” title_text=”felipe-romero-beltran-galeria-05-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-10-768.jpg” alt=”Proyecto Bravo” title_text=”Felipe Romero Beltr\u00e1n” _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.20.4″ _module_preset=”default” custom_margin=”||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-07-768.jpg” alt=”Beauty Sal\u00f3n, Milan, 2022″ title_text=”felipe-romero-beltran-galeria-07-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-08-768.jpg” alt=”Anastasia Samoylova, Valla de obra (\u00abTecnolog\u00eda\u00bb), Madrid, 2022 \u00a9 Anastasia Samoylova” title_text=”felipe-romero-beltran-galeria-08-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.20.4″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/10\/felipe-romero-beltran-galeria-09-768.jpg” alt=”Anastasia Samoylova, Advertisement on Opera House, Paris, 2021″ title_text=”felipe-romero-beltran-galeria-09-768″ _builder_version=”4.22.2″ _module_preset=”default” custom_margin=”||5px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.22.2″ _module_preset=”default” global_colors_info=”{}”][et_pb_text disabled_on=”off|off|off” _builder_version=”4.22.2″ _module_preset=”default” text_font_size=”11px” text_line_height=”1.3em” custom_margin=”|||0px|false|false” global_colors_info=”{}”]<\/p>\n

  In the images :<\/strong>
  El Friki, Grecia, Wily, L\u00e1zaro, El chicken, El pelusa, Dominik, Bryan, Nina, Martel, Abelino, Jos\u00e9, Pedro Meza, Mauricio, Mauricio, Santiago, Jefry, Miguel Angel, Alma and Aureliano.<\/p>\n

  [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

  KBr Photo Award 2023 edition\u00a9 Anastasia SamoylovaThe Colombian Felipe Romero Beltr\u00e1n winner of the II Edition of KBr Photo Award with his project Bravo.The prize, awarded unanimously, recognises the originality of Bravo, a story that explores a space of tension and conflict (the Mexican border with the United States), adding a poignant poetic dimension to […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":50620,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-58093","page","type-page","status-publish","hentry"],"yoast_head":"\n