{"id":57643,"date":"2023-09-23T22:51:11","date_gmt":"2023-09-23T20:51:11","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/?page_id=57643"},"modified":"2024-05-28T22:17:30","modified_gmt":"2024-05-28T20:17:30","slug":"william-eggleston","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/en\/exhibitions\/william-eggleston\/","title":{"rendered":"William Eggleston. The Mistery of the Everyday"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/portada-eggleston-v2-768×1162-1.jpg” alt=”Untitled, c. 1970-1973 \u00a9 Eggleston Artistic Trust Courtesy Eggleston Artistic Trust and David Zwirner” title_text=”William Eggleston” show_bottom_space=”off” _builder_version=”4.22.1″ custom_margin=”||10px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.1″ text_font_size=”12px” text_line_height=”1.3em” custom_margin=”||||false|false” global_colors_info=”{}”]William Eggleston<\/strong>
\nUntitled,<\/em> c. 1970-1973. \u00a9 Eggleston Artistic Trust.
\nCourtesy Eggleston Artistic Trust and David Zwirner[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ background_color=”#f6f6f6″ custom_padding=”25px|25px|25px|25px|true|true” global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ header_font=”DM Sans|700|||||||” header_font_size=”45px” header_2_font=”DM Sans||on||||||” custom_margin=”||35px||false|false” global_colors_info=”{}”]<\/p>\n

William Eggleston<\/h1>\n
The Mistery of the Everyday<\/h2>\n
28 September to 28 January 2024<\/strong>[\/et_pb_text][et_pb_blurb title=”Discover the exhibition” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4031f” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n
In his beginnings, William Eggleston was initially inspired by the work of Walker Ewans and Henri Cartier Bresson before he felt that black-and-white photography did not reflect life as he perceived it. He then decided to experiment with colour, a resource hitherto excluded from art photography and whose use was mainly limited to advertising and magazine illustration.<\/p>\n
From 1965 onwards Eggleston immersed himself in a universe, at once strange and familiar, from which he explored the everyday life of the small towns of the southern United States, where he had been born and brought up. He then photographed everything that met his eye: grocery shops and bars, office desks, everyday objects, supermarkets, service stations, road signs, family, friends, etc., images that seem to seek the aesthetic potential of the everyday and whose true motive seems to be none other than life itself, but which at the same time offer us a unique and absorbing testimony to the profound social transformations (the multiplication of the automobile, the social function of shopping centres, etc.) resulting from the acceleration of the consumer economy.<\/p>\n
Chronologically arranged, this wide-ranging anthology covers his early black-and-white work and his later career in colour.<\/p>\n
[\/et_pb_blurb][et_pb_blurb title=”Banality of ordinary” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” custom_margin=”35px||||false|false” icon_font_size=”25px” global_colors_info=”{}”]The subjects of Eggleston’s photographs are usually ordinary subjects without any apparent attraction: old shoes, a freezer full of food, a hanging jacket, the inside of a bathroom, a lorry stopped on a service road, etc., and yet there is nothing ordinary about his photographs. The artist soon revealed that he was also able to turn the simplest things into something interesting and enigmatic and that, even if the banal remained banal, it could also be exciting, like life itself.[\/et_pb_blurb][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#FFFFFF” background_color=”#e4151f” custom_padding=”9px||9px||true|false” custom_padding_tablet=”9px||9px||true|false” custom_padding_phone=”|9px||9px|true|true” custom_padding_last_edited=”on|phone” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n
Online ticket sales from 20 September<\/p>\n
[\/et_pb_text][et_pb_blurb title=”Materials” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”off|off|off” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||-15px||false|false” custom_padding=”||0px||false|false” icon_font_size=”25px” locked=”off” global_colors_info=”{}”][\/et_pb_blurb][et_pb_button button_url=”https:\/\/documentacion.fundacionmapfre.org\/documentacion\/publico\/es\/bib\/183882.do” url_new_window=”on” button_text=”Discover the exhibition resources” button_alignment=”left” button_alignment_tablet=”left” button_alignment_phone=”center” button_alignment_last_edited=”on|phone” disabled_on=”off|off|off” _builder_version=”4.22.1″ custom_button=”on” button_text_size=”13px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”||divi||400″ custom_margin=”20px|||48px|false|false” custom_margin_tablet=”20px|||48px|false|false” custom_margin_phone=”|||0px|false|false” custom_margin_last_edited=”on|phone” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_bg_enable_color__hover=”on” button_border_color__hover_enabled=”on|hover” button_border_color__hover=”#ffffff”][\/et_pb_button][et_pb_blurb title=”Materials” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”on|on|on” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||||false|false” icon_font_size=”25px” disabled=”on” global_colors_info=”{}”]<\/p>\n
Discover the exhibition resources<\/a><\/p>\n
[\/et_pb_blurb][et_pb_blurb title=”Actividades” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”on|on|on” _builder_version=”4.17.6″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||||false|false” icon_font_size=”25px” disabled=”on” global_colors_info=”{}”]<\/p>\n
Conversaci\u00f3n con Bleda y Rosa (martes, 7 junio) <\/a><\/p>\n
[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.1″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/parallax-eggleston-v2-1920.jpg” parallax=”on” parallax_method=”off” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ custom_margin=”75px||75px||true|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ text_text_color=”#ffffff” header_2_font=”|600|||||||” header_2_text_color=”#FFFFFF” header_2_font_size=”27px” background_color=”rgba(51,51,51,0.69)” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n
Colour<\/h2>\n
In 1935 the Agfa brand developed its Agfacolor film in Germany and Kodak introduced its Kodachrome in the United States, but neither was inexpensive, so they were not affordable for all. Kodachrome film reached its peak in the late 1960s, but was used, at least initially, for family or travel photographs, what is considered vernacular photography. From 1965 onwards, Eggleston began to photograph only in colour for artistic purposes, and he was not the only one: Stephen Shore, Joel Meyerowitz and Carlos P\u00e9rez Siquier were among the pioneers of the use of colour in the medium.[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_4,1_2,1_4″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ width=”85%” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_blurb title=”Where?” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.17.6″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” custom_margin=”||||false|false” icon_font_size=”25px” locked=”off” global_colors_info=”{}”]<\/p>\n
KBr Fundaci\u00f3n MAPFRE
Avenida Litoral, 30 \u2013 08005 Barcelona<\/p>\n
[\/et_pb_blurb][et_pb_blurb title=”Times” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.17.6″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” custom_margin=”||||false|false” icon_font_size=”25px” locked=”off” global_colors_info=”{}”]<\/p>\n
Monday (except holidays): Closed<\/span>
Tuesday to Sunday (and holidays): from 11:00 a.m. to 8:00 p.m.<\/span><\/p>\n
[\/et_pb_blurb][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#FFFFFF” background_color=”#e4151f” custom_padding=”9px||9px||true|false” custom_padding_tablet=”9px||9px||true|false” custom_padding_phone=”|9px||9px|true|true” custom_padding_last_edited=”on|phone” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n
Online ticket sales from 20 September<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][dica_divi_carousel show_items_desktop=”1″ show_items_tablet=”1″ multislide=”on” transition_duration=”6500″ loop=”on” autoplay=”on” hoverpause=”on” advanced_effect=”1″ arrow_nav_color=” #e4151e” disabled_on=”off|off|off” _builder_version=”4.22.1″ global_colors_info=”{}”][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/carrusel-eggleston-03-768×525-1.jpg” image_alt=”William Eggleston. Untitled, c. 1971-1974. \u00a9 Eggleston Artistic Trust. Courtesy Eggleston Artistic Trust and David Zwirner ” content_padding=”5px||0||false|true” _builder_version=”4.22.1″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n
William Eggleston
<\/strong>Untitled<\/em>, c. 1971-1974. \u00a9 Eggleston Artistic Trust.
Courtesy Eggleston Artistic Trust and David Zwirner<\/p>\n
[\/dica_divi_carouselitem][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/carrusel-eggleston-02-768×525-1.jpg” image_alt=”William Eggleston Untitled, c. 1970-1973. \u00a9 Eggleston Artistic Trust. Courtesy Eggleston Artistic Trust and David Zwirner ” content_padding=”5px||0||false|true” _builder_version=”4.22.1″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n
William Eggleston
<\/strong>Untitled<\/em>, c. 1970-1973. \u00a9 Eggleston Artistic Trust.
Courtesy Eggleston Artistic Trust and David Zwirner<\/p>\n
[\/dica_divi_carouselitem][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/eggleston-v2-768×509-1.jpg” image_alt=”William Eggleston Untitled, c. 1970-1973. \u00a9 Eggleston Artistic Trust. Courtesy Eggleston Artistic Trust and David Zwirner ” content_padding=”5px||0||false|true” _builder_version=”4.22.1″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n
William Eggleston
<\/strong>Untitled<\/em>, c. 1970-1973. \u00a9 Eggleston Artistic Trust.
Courtesy Eggleston Artistic Trust and David Zwirner<\/p>\n
[\/dica_divi_carouselitem][\/dica_divi_carousel][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_testimonial _builder_version=”4.22.1″ body_text_align=”center” body_font_size=”18px” text_orientation=”center” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”]\u201cI couldn\u2019t imagine doing anything more than making a perfect fake Cartier-Bresson. And finally, I have succeeded. But there comes a time \u2014 and it has to have something to do with seeking my roots and coming to Memphis \u2014, because then I didn\u2019t have those mentors, a time when I had to face the fact that what I had to do was go out in search of unknown landscapes. What was new at that time were shopping centers \u2212 so I took photos of them\u201d [\/et_pb_testimonial][et_pb_text _builder_version=”4.21.0″ text_font=”|700|||||||” text_font_size=”14px” background_color=”#f5f5f5″ text_orientation=”right” custom_margin=”0px||||false|false” custom_padding=”10px|15px|15px|15px|false|true” global_colors_info=”{}”]<\/p>\n
W. Eggleston<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
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