[et_pb_section fb_built=”1″ _builder_version=”4.16″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/02\/video-restituciones-1240×827-1.jpg” background_position=”top_left” module_alignment=”center” min_height=”550px” custom_margin=”||||false|false” custom_padding=”||||false|false” da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.82)” width=”75%” custom_margin=”100px||||false|false” custom_padding=”|20px||20px|false|true” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”Nhaas 65|600|||||||” text_text_color=”#d81e05″ text_font_size=”17px” text_line_height=”2.1em” header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_2_font=”Nhaas 65|700|||||||” header_2_text_align=”center” header_2_text_color=”#d81e05″ text_orientation=”center” width_tablet=”” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” custom_margin=”||0px||false|false” custom_padding=”|10px|0px|10px|false|true” text_line_height_tablet=”1.7em” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|tablet” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”19px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Restitutions<\/em> at the Filmoteca<\/h1>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”auto” max_width=”none” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”11px” text_line_height=”1.3em” custom_margin=”5px|||20px|false|false” global_colors_info=”{}”]Credit: detail of a frame from<\/em> Les \u00c9clats (Ma gueule, ma r\u00e9volte, mon nom).<\/em>\u00a0Sylvain George, 2011.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”65%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]On the occasion of the cycle of conferences Restitutions. Photography in Debt with its Past<\/em> (in the KBr, from March 8 to May 17) Filmoteca de Catalunya offers a special program around three of the conferences of the cycle: Hilde Van Gelder<\/strong> (Ground Sea (Mar de fondo) Claiming nature\u2019s right to be reborn<\/em>), Ana Longoni<\/strong> (What do the photographs reclaimed by V\u00edctor Melchor Basterra of the horror in Argentina tell us?<\/em>) and Micha\u00ebla Danj\u00e9 \/ Cases Rebelles<\/strong> (Arresting reiteration, altering continuous exploitation<\/em>).<\/p>\n

The day after their respective talks at the KBr, the authors will present the films at the Filmoteca, closely related to topic of their respective interventions.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/www.filmoteca.cat\/web\/ca\/cicle\/Restitucions” url_new_window=”on” button_text=”More information and purchase of tickets ” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.16″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”6px||50px||false|false” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_css_main_element=”display:flex;||flex-direction: row;” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Dates” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]<\/p>\n

April 6\u00a0
April 20\u00a0
April 27<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Hour” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]<\/p>\n

7:30 p.m.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Format” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]<\/p>\n

In person<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

April<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

04.06.2022<\/strong>
Hilde Van Gelder<\/strong>
Sala Laya, Filmoteca de Catalunya
Les \u00c9clats (Ma gueule, ma r\u00e9volte, mon nom)<\/em>, 84\u2019<\/strong>.
Sylvain George, 2011
7:30 p.m., in person<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

04.20.2022<\/strong>
Ana Longoni<\/strong>
Sala Laya, Filmoteca de Catalunya
Archivo de la Memoria Trans, <\/em>58\u201935\u2019\u2019<\/strong>.<\/em>
chapters 1, 2, 3 and 4. Agustina Comedi y Mariana Bomba, 2021
La foto de mis viejos<\/em>,\u00a011\u201953\u2019\u2019<\/strong>.\u00a0Pablo Becerra, 2011
Registro de extremistas,<\/em>\u00a02\u201955\u2019\u2019<\/strong>
7:30 p.m., in person<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

04.27.2022<\/strong>
Micha\u00ebla Danj\u00e9\/Colectivo Cases Rebelles<\/strong>
Sala Laya, Filmoteca de Catalunya
Fouy\u00e9 Zetwal<\/em>,\u00a014\u2019<\/strong>.
Wally Fall, 2020
Lumumba, la mort du proph\u00e8te,\u00a0<\/em>69\u2019<\/strong>.<\/em>
Raoul Peck, 1991
7:30 p.m., in person<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ link_text_color=”#e4151f” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

This activity responds to the collaboration with which both institutions seek to create regular continuity between their programming.<\/p>\n

The program may be subject to have any change.<\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Special program around three of the talks in the cycle “Restitutions. Photography in debt to its past” organized by the Filmoteca de Catalunya.<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":48339,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-53021","page","type-page","status-publish","hentry"],"yoast_head":"\n