{"id":52556,"date":"2022-02-03T11:38:36","date_gmt":"2022-02-03T10:38:36","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/activities\/restituciones-fotografia-deuda-pasado\/"},"modified":"2024-12-02T12:58:12","modified_gmt":"2024-12-02T11:58:12","slug":"restitutions-photography-debt-past","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/en\/activities\/restitutions-photography-debt-past\/","title":{"rendered":"Restitutions. Photography in Debt with its Past."},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/02\/restitucion-v2-1240×827-1.jpg” background_position=”top_left” module_alignment=”center” min_height=”550px” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”3_5,2_5″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.82)” width=”75%” custom_margin=”100px||||false|false” custom_padding=”|20px||20px|false|true” global_colors_info=”{}”][et_pb_column type=”3_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font=”Nhaas 65|600|||||||” text_text_color=”#d81e05″ text_font_size=”17px” text_line_height=”2.1em” header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_2_font=”Nhaas 65|700|||||||” header_2_text_align=”center” header_2_text_color=”#d81e05″ text_orientation=”center” width_tablet=”” width_phone=”” width_last_edited=”on|desktop” module_alignment=”center” custom_margin=”||0px||false|false” custom_padding=”|10px|0px|10px|false|true” text_line_height_tablet=”1.7em” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|tablet” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”19px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Restitutions<\/h1>\n

[\/et_pb_text][et_pb_text _builder_version=”4.23.1″ text_font=”DM Sans|600|||||||” text_text_color=”#d81e05″ text_font_size=”17px” text_line_height=”2.1em” header_font=”Nhaas 65|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_2_font=”DM Sans|700|||||||” header_2_text_align=”center” header_2_text_color=”#d81e05″ text_orientation=”center” width=”100%” width_tablet=”” width_phone=”” width_last_edited=”on|phone” module_alignment=”center” custom_padding=”|10px||10px|false|true” text_line_height_tablet=”1.7em” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|tablet” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”19px” header_2_font_size_last_edited=”on|phone” locked=”off” global_colors_info=”{}”]<\/p>\n

Photography in Debt with its Past<\/h2>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_5″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”65%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]What can we say of the archives that preserve images taken during slavery and in concentration camps? Or of photographs depicting an ancestral heritage that has been destroyed or usurped? What of those whose repositories contain photographs of colonial violence, of people who have been executed? And what about photographs depicting contemporary global challenges? What can we say, for example, of albums documenting the extraction of natural resources, or the extinction of multiple species?[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ width=”65%” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/02\/imagen-ariella-restituciones-768×1152-1.jpg” alt=”Restituciones. La fotograf\u00eda en deuda con su pasado” title_text=”Restituciones. La fotograf\u00eda en deuda con su pasado” show_bottom_space=”off” align=”center” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_font_size=”12px” text_line_height=”1.3em” custom_margin=”10px||||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n

Credit:<\/strong> View of Ariella A\u00efsha Azoulay. Natural History of Rape<\/em>, 2018-2019. Photography: Roberto Ruiz<\/p>\n

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Photography is critically confronted with its past and with those who demand that their rights be upheld at a time when numerous claims for reparations have been made. Through ten case studies, this cycle invites us to delve deeper into the growing debates regarding the revision and meaning of tradition in the history of photography. Each session will explore examples of reparations, restitutions, renamings, and the fundamental claims of people who are demanding their rights – situations photography must respond to in this new horizon of healing.<\/p>\n

Under direction of artist, art critic and independent curator Carles Guerra, the lecture cycle will feature the following speakers: Ariella Aïsha Azoulay, Teresa Ferré Panisello, Naluwembe Binaisa, Yasmine Eid-Sabbagh, Hilde Van Gelder, Ana Longoni, Michaëla Danjé from the collective Cases Rebelles, Xavier Ribas, T.J. Demos, and Eyal Weizman.<\/p>\n

The cycle will take place on-site at KBr Fundación MAPFRE’s<\/strong> auditorium, with the exception of two conferences held exclusively online as noted in the program. On-site sessions will also be streamed online.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”65%” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ link_text_color=”#e4151f” global_colors_info=”{}”]<\/p>\n

On the occasion of the cycle Restitutions. Photography in Debt with its Past<\/em>, Filmoteca de Catalunya<\/strong> presents a special program around three of the cycle\u2019s talks, those starring Hilde van Gelder, Ana Longoni and Micha\u00ebla Danj\u00e9 \/ Cases Rebelles Collective. Films screened with be as follow: Les \u00c9clats (Ma gueule, ma r\u00e9volte, mon nom).\u00a0Sylvain George, 2011 (April\u00a06);\u00a0Archivo de la Memoria Trans,\u00a0<\/em>chapters 1, 2, 3 and 4. Agustina Comedi and Mariana Bomba, 2021,\u00a0two more titles to be confirmed\u00a0(April 20);\u00a0Fouy\u00e9 Zetwal<\/em>. Wally Fall, 2020\u00a0and\u00a0Lumumba,\u00a0la mort du proph\u00e8te.\u00a0<\/em>Raoul Peck, 1991 (April 27).<\/p>\n

The projections will take place the days after the talks and will be respectively presented by the lecturers\u00a0(see the program<\/a>).<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ link_text_color=”#e4151f” text_orientation=”center” global_colors_info=”{}”]New registrations will be attended up to 3 hours before the start of each session.
\n<\/strong><\/p>\n

For any incidence, please address your questions to infokbr@fundacionmapfre.org<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_button button_url=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/02\/en-restituciones.pdf” url_new_window=”on” button_text=”Download the program (PDF 195KB) ” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.16″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”6px||50px||false|false” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_css_main_element=”display:flex;||flex-direction:row;” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Dates” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]Tuesdays<\/strong>
\n8, 15, 22, 29 (March)
\n5, 19, 26 (April)
\n3, 10, 17 (May)[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Time” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]7 pm[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Format” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]In person and online (except the days 03.29, 05.10 and 05.17, which will be exclusively online)[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/ariella-en-1280×720-1.jpg” alt=”Ariella A\u00efsha Azoulay” title_text=”Ariella A\u00efsha Azoulay. \u00abHe\u2019s my ancestor, not a museum asset\u00bb” url=”https:\/\/www.youtube.com\/watch?v=uugcahmxMvo” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/teresa-ferre-es-1280×720-1.jpg” alt=”Teresa Ferr\u00e9 Panisello ” title_text=”Teresa Ferr\u00e9 Panisello The Forgotten Legacy of Agust\u00ed Centelles.” url=”https:\/\/www.youtube.com\/watch?v=SddVmnTVvAs” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/yasmine-es-1280×720-1.jpg” alt=”Yasmine Eid-Sabbagh” title_text=”03.29.2022 Yasmine Eid-Sabbagh \u201cThe morning does not decide of what remains of the day\u201d” url=”https:\/\/www.youtube.com\/watch?v=Pf7HO1FML4Q” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/hilde-en-1280×720-1.jpg” alt=”Hilde Van Gelder” title_text=”Hilde Van Gelder. Ground Sea” url=”https:\/\/www.youtube.com\/watch?v=7FuuRtI78pA” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/longoni-es-1280×720-1.jpg” alt=”Ana Longoni” title_text=”Ana Longoni What do the photographs reclaimed by V\u00edctor Melchor Basterra of the horror in Argentina tell us?” url=”https:\/\/www.youtube.com\/watch?v=WguWl3PyUlM” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/danje-es-1280×720-1.jpg” alt=”Micha\u00ebla Danj\u00e9 \/ Cases Rebelles” title_text=”Micha\u00ebla Danj\u00e9 \/ Cases Rebelles Arresting reiteration, altering continuous exploitation” url=”https:\/\/www.youtube.com\/watch?v=BqHtY3333ZI” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][et_pb_text _builder_version=”4.25.1″ link_text_color=”#e4151f” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Following author\u2019s will, her face appers pixelated in the recording of the talk.<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/xavier-rivas-es-1280×720-1.jpg” alt=”Xavier Ribas” title_text=”Xavier Ribas The Future of Chile in the Sodium Nitrate Photographs” url=”https:\/\/www.youtube.com\/watch?v=SeRY8RDILCg” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/tj-demos-en-1280×720-1.jpg” alt=”T. J. Demos” title_text=”T. J. Demos Photographic Reparations and the More-than-human” url=”https:\/\/www.youtube.com\/watch?v=gVuUQlDAjJA” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/eyal-en-1280×720-1.jpg” alt=”Eyal Weizman” title_text=”Eyal Weizman in conversation with Carles Guerra” url=”https:\/\/www.youtube.com\/watch?v=yqM-aAL2pqk” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=uugcahmxMvo” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/04\/ariella-en-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=SddVmnTVvAs” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/04\/teresa-ferre-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=Pf7HO1FML4Q” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/05\/yasmine-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=7FuuRtI78pA” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/05\/hilde-en-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=WguWl3PyUlM” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/05\/ana-longoni-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=BqHtY3333ZI” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/05\/danje-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ custom_margin=”||15px||false|false” locked=”off” global_colors_info=”{}”][\/et_pb_video][et_pb_text _builder_version=”4.16″ link_text_color=”#e4151f” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

Following Author\u2019s Will, her Face appers pixelated in the Recording of the Talk.<\/em><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=SeRY8RDILCg” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/05\/xavier-ribas-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=gVuUQlDAjJA” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/06\/demos-en-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=yqM-aAL2pqk” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/12\/eyal-en-1280×720-1.png” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.17.6″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

March<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.08.2022<\/strong>
\nAriella A\u00efsha Azoulay
\n\u201cHe is my ancestor,\u201d claims
\nTamara Lanier, not a museum asset<\/em>
\n19 h, On-site and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.15.2022<\/strong>
\nTeresa Ferr\u00e9 Panisello
\nThe Forgotten Legacy of
\nAgust\u00ed Centelles. Beyond
\nWartime Photojournalism<\/em>
\n19 h, On-site and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.22.2022<\/strong>
\nNaluwembe Binaisa
\n\u2018The beauty in the slum\u2019:
\nresistance and architectures
\nof dispossession in Lagos, Nigeria<\/em>
\n19 h, On-site and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_enable_color=”off” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]03.29.2022<\/strong>
\nYasmine Eid-Sabbagh
\n\u201cThe morning does not decide
\nof what remains of the day\u201d<\/em>
\n19 h, Online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

April<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]04.05.2022<\/strong>
\nHilde Van Gelder
\nGround Sea (Mar de fondo)
\nClaiming nature\u2019s right to be reborn<\/em>
\n19 h, On-site and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]04.19.2022<\/strong>
\nAna Longoni
\nWhat do the photographs reclaimed
\nby V\u00edctor Melchor Basterra of
\nthe horror in Argentina tell us?<\/em>
\n19 h, On-site and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]04.26.2022<\/strong>
\nMicha\u00ebla Danj\u00e9 \/ Cases Rebelles
\nArresting reiteration, altering
\ncontinuous exploitation<\/em>
\n19 h, On-site and online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

May<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]05.03.2022<\/strong>
\nXavier Ribas
\nThe Future of Chile in the
\nSodium Nitrate Photographs<\/em>
\n19 h, On-site and online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]05.10.2022<\/strong>
\nT. J. Demos
\nPhotographic Reparations
\nand the More-than-human<\/em>
\n19 h, online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]17.05.2022<\/strong>
\nEyal Weizman in conversation with Carles Guerra
\nColonial violence and reparations
\nin Forensic Architecture work<\/em>
\n19 h, online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

RestitutionsPhotography in Debt with its PastWhat can we say of the archives that preserve images taken during slavery and in concentration camps? Or of photographs depicting an ancestral heritage that has been destroyed or usurped? What of those whose repositories contain photographs of colonial violence, of people who have been executed? And what about photographs […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":48339,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-52556","page","type-page","status-publish","hentry"],"yoast_head":"\nRestitutions. Photography in Debt with its Past<\/title>\n<meta name=\"description\" content=\"Sessions linked to the cycle of conferences Restitutions. 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