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[\/et_pb_text][et_pb_text _builder_version=”4.23.1″ text_font=”DM Sans|600|||||||” text_text_color=”#d81e05″ text_font_size=”17px” text_line_height=”2.1em” header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_2_font=”DM Sans|700|||||||” header_2_text_align=”center” header_2_text_color=”#d81e05″ text_orientation=”center” width=”108%” width_tablet=”” width_phone=”” width_last_edited=”on|phone” module_alignment=”center” custom_margin=”-10px||10px||false|false” custom_padding=”|10px||10px|false|true” text_font_size_tablet=”” text_font_size_phone=”13px” text_font_size_last_edited=”on|phone” text_line_height_tablet=”1.7em” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|tablet” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”19px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
Dialogues and conferences about the exhibitions.<\/p>\n
[\/et_pb_text][et_pb_text _builder_version=”4.23.1″ text_font=”DM Sans|600|||||||” text_text_color=”#d81e05″ text_font_size=”17px” text_line_height=”2.1em” header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_2_font=”DM Sans|700|||||||” header_2_text_align=”center” header_2_text_color=”#d81e05″ text_orientation=”center” width=”108%” width_tablet=”” width_phone=”” width_last_edited=”on|phone” module_alignment=”center” custom_padding=”|10px||10px|false|true” text_line_height_tablet=”1.7em” text_line_height_phone=”1.2em” text_line_height_last_edited=”on|tablet” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” header_2_font_size_tablet=”” header_2_font_size_phone=”19px” header_2_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ custom_css_main_element=”display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ width=”70%” global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/09\/paolo-gasparini-768×509-1.jpg” alt=”Paolo Gasparini. Para verte mejor, Am\u00e9rica Latina, S\u00e3o Paulo, 1972 ” title_text=”Para verte mejor, Am\u00e9rica Latina, S\u00e3o Paulo, 1972 ” show_bottom_space=”off” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_font_size=”12px” text_line_height=”1.3em” custom_margin=”15px||||false|false” locked=”off” global_colors_info=”{}”]Paolo Gasparini<\/strong> On the occasion of the large scale retrospective presented by KBr Fundación MAPFRE, the photographer Paolo Gasparini<\/strong>, the exhibition’s curator María Wills<\/strong>, and photography historian Horacio Fernández<\/strong> will discuss, among other subjects, Gasparini’s career trajectory, key aspects of his work, and the main themes of Field of Images<\/em>. <\/p>\n A comprehensive overview, enriched by three perspectives, will allow the audience to deepen their knowledge of this exceptional chronicler of the tensions and social and cultural contradictions of the South American continent and, ultimately, of our time. <\/p>\n [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.21.0″ width=”65%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_button button_url=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/09\/programa-paolo-gasparini-eng.pdf” url_new_window=”on” button_text=”Download the program (192 KB)” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.16″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”6px||50px||false|false” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_bg_enable_color__hover=”on” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop” button_icon_color__hover_enabled=”on|desktop” button_icon_color__hover=”#e4151f”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Dates” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]September 29th 2021[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Hour” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]7:00 p.m.[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Format” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]In person and online[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/gasparini-campo-es-1280×720-1.jpg” alt=”Paolo Gasparini” title_text=”Paolo Gasparini. Field of Images” url=”https:\/\/www.youtube.com\/watch?v=SG5x0IG663E” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.25.1″ width=”50%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” custom_margin=”25px||25px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=SG5x0IG663E” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/11\/gasparini-maria.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" KBr GuestsDialogues and conferences about the exhibitions.Conversation with Paolo GaspariniPaolo Gasparini Para verte mejor, Am\u00e9rica Latina [The Better to See You, Latin America], S\u00e3o Paulo, 1972 [Andata e Ritorno Series] Fundaci\u00f3n MAPFRE Collections \u00a9 Paolo GaspariniOn the occasion of the large scale retrospective presented by KBr Fundación MAPFRE, the photographer Paolo Gasparini, the exhibition’s curator […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":48339,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-51502","page","type-page","status-publish","hentry"],"yoast_head":"\n
\nPara verte mejor, Am\u00e9rica Latina<\/em> [The Better to See You, Latin America], S\u00e3o Paulo, 1972 [Andata e Ritorno Series]
\nFundaci\u00f3n MAPFRE Collections \u00a9 Paolo Gasparini[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text admin_label=”Texto” _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n