{"id":51300,"date":"2021-08-24T13:23:17","date_gmt":"2021-08-24T11:23:17","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/activities\/fotografia-revolucion\/"},"modified":"2024-12-02T15:59:43","modified_gmt":"2024-12-02T14:59:43","slug":"photography-revolutions","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/en\/activities\/photography-revolutions\/","title":{"rendered":"Photography Speaks of Revolutions"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/08\/revolucion-fotografia-1240×827-1.jpg” background_position=”top_left” module_alignment=”center” min_height=”550px” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.82)” width=”65%” custom_margin=”100px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

Photography Speaks of Revolutions<\/h1>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”65%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

In one way or another each new generation makes its mark on inherited history, brandishing new values and criteria with which to analyze and organize reality. In some cases this need for change leads to a rupture, a fundamental transformation in social order or its foundations. We generally term these breaks, covering a variety of situations, revolutions<\/em>. The images preserved from such momentous events turn out to be essential, allowing us to reconstruct the inevitable chaos of the rash and violent moments in which they develop.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ width=”65%” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/08\/paolo-gasparini-768×939-1.jpg” alt=”Paolo Gasparini Miliciano, Trinidad, Cuba, 1961″ title_text=”Paolo Gasparini” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_font_size=”12px” text_line_height=”1.3em” locked=”off” global_colors_info=”{}”]Paolo Gasparini<\/strong>
\nMember of the Militia<\/em>, Trinidad, Cuba, 1961
\nFundaci\u00f3n MAPFRE Collections
\n\u00a9 Paolo Gasparini[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

In each of the revolutions discussed in this lecture cycle photography plays one or more key functions: testimony, denouncement, propaganda (explicit or subtle), tool for protest, instrument for social analysis, device for conveying personal allegiances, method for extending the revolutionary experience, etc. The ultimate intention of this lecture series is to explore once again photography\u2019s role in understanding our world<\/strong>, this time through concrete and transcendental historical junctures of the contemporary era.<\/p>\n

The majority of the lectures will take place in person at the KBr Fundaci\u00f3n MAPFRE<\/strong> auditorium, however they will also be available online. Lectures that will take place online only will be indicated in the program.<\/p>\n

Under the direction of historian of photography Laura Terr\u00e9<\/strong> (Universidad de Barcelona), the lecture cycle will feature the following speakers: Mathilde Larr\u00e8re; Nicolas Liucci-Goutnikov; Andr\u00e9s Antebi; Robert Pledge; Leigh Raiford; Paul F. Goldsmith, Pepe Baeza, Cristina Vives, Pilar Aymerich, Judith Prat and Isabel Segura; Susan Meiselas; Samuel Aranda and Anna Surinyach.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ link_text_color=”#e4151f” text_orientation=”center” global_colors_info=”{}”]New registrations will be attended up to 3 hours before the start of each session.<\/strong><\/p>\n

For any incidence, please address your questions to infokbr@fundacionmapfre.org<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_button button_url=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/12\/kbr-programa-la-fotografia-habla-de-revoluciones-en.pdf” url_new_window=”on” button_text=”Download the program (PDF 167KB) ” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.16″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”6px||50px||false|false” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Dates” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]October 5, 19, 26
\nNovember 9, 16, 23, 30
\nDecember 2 (Thursday), 14, 21
\nJanuary 11[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Hour” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]<\/p>\n

7:00 p.m.<\/p>\n

(except on 05.10.21 and 19.10.21 at 8 p.m.)<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Format” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]In person and online[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/mathilde-es-1280×720-1.jpg” alt=”Mathilde Larr\u00e8re” title_text=”Mathilde Larr\u00e8re Communard Photos, Versailles Photos: the Battle of Images” url=”https:\/\/www.youtube.com\/watch?v=v0XvuDyCiEk” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/nicolas-liucci-es-1280×720-1.jpg” alt=”Nicolas Liucci-Goutnikov” title_text=”Nicolas Liucci-Goutnikov Photography and Factography in the USSR of the Inter-War Period” url=”https:\/\/www.youtube.com\/watch?v=sap87k4gVbU” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/andres-antebi-es-1280×720-1.jpg” alt=”Andr\u00e9s Antebi” title_text=”Andr\u00e9s Antebi. A Brief Radiance.” url=”https:\/\/www.youtube.com\/watch?v=fpt5cwnsZZM” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/robert-en-1280×720-1.jpg” alt=”Robert Pledge” title_text=”Robert Pledge China 1966-1976: The Revolution within the Revolution” url=”https:\/\/www.youtube.com\/watch?v=W_Hl6pstGTk” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/leigh-en-1280×720-1.jpg” alt=”Leigh Raiford” title_text=”Leigh Raiford. Being Seen to Be Free” url=”https:\/\/www.youtube.com\/watch?v=BbuWs1IvT7I” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/goldsmith-en-1280×720-1.jpg” alt=”Paul F. Goldsmith
\n” title_text=”Paul F. Goldsmith The Enduring Influence of the Prague Spring and the Soviet Invasion” url=”https:\/\/www.youtube.com\/watch?v=YnNRE-2Ow_M” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/pepe-baeza-es-1280×720-1.jpg” alt=”Pepe Baeza” title_text=”Pepe Baeza Photography during the Portuguese Revolution of 1974″ url=”https:\/\/www.youtube.com\/watch?v=_DEc94I-lhc” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/vives-es-1280×720-1.jpg” alt=”Cristina Vives” title_text=”Cristina Vives Culture and Counterculture in the Photography of the Cuban Revolution.” url=”https:\/\/www.youtube.com\/watch?v=oBgc-h9H3QE” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/pilar-es-1280×720-1.jpg” alt=”Pilar Aymerich, Judith Prat & Isabel Segura Soriano” title_text=”Pilar Aymerich, Judith Prat and Isabel Segura Soriano. Feminist Vindication, 1976″ url=”https:\/\/www.youtube.com\/watch?v=PwcQ8Clj4O8″ url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/revoluciones-samuel-es-1280×720-1.jpg” alt=”Samuel Aranda y Anna Surinyach” title_text=”Samuel Aranda y Anna Surinyach La Primavera \u00c1rabe (2010-2012)” url=”https:\/\/www.youtube.com\/watch?v=iGc6uTQah0Q” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/susan-meiselas-en-1280×720-1.jpg” alt=”Susan Meiselas
\n” title_text=”Susan Meiselas. Nicaragua: Reflecting Back and Forward” url=”https:\/\/www.youtube.com\/watch?v=RvSyWrj61S4″ url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”on|on|on” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” disabled=”on” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=v0XvuDyCiEk” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/11\/mathilde.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=sap87k4gVbU” 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global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”65%” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ header_2_font=”|600|||||||” header_2_text_align=”center” global_colors_info=”{}”]<\/p>\n

Program<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

October<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

10.05.2021<\/strong>
Mathilde Larr\u00e8re
Communard Photos, Versailles Photos: the Battle of Images<\/em>
Online, 8 p.m.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

10.19.2021<\/strong>
Nicolas Liucci-Goutnikov
Photography and Factography in the USSR of the Inter-War Period<\/em>
Online, 8 p.m.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]10.26.2021<\/strong>
\nAndr\u00e9s Antebi
\nA Brief Radiance. Images from the Social Revolution in Barcelona, 1936-1937<\/em>
\nIn person and online, 7 p.m.<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

November<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]11.09.2021<\/strong>
\nRobert Pledge
\nChina 1966-1976: The Revolution within the Revolution Photographed by Li Zhensheng<\/em>
\nIn person and online, 7 p.m.<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

11.16.2021<\/strong>
Leigh Raiford
Being Seen to Be Free:
Photography and Black Power<\/em>
Online, 7 p.m.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]11.23.2021<\/strong>
\nPaul F. Goldsmith
\nThe Enduring Influence of the Prague Spring and the Soviet Invasion. A look at a photographer\u2019s personal connection to history and the resonance of the photographic imagery before, during and after the August 1968 Invasion<\/em>
\nOnline, 7 p.m.<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_enable_color=”off” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]11.30.2021<\/strong>
\nPepe Baeza
\nPhotography during the Portuguese Revolution of 1974<\/em>
\nIn person and online, 7 p.m.<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

December<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]12.02.2021<\/strong>
\nCristina Vives
\nCulture and Counterculture in the Photography of the Cuban Revolution. In Search of the Revolutionary Subject<\/em>
\nIn person and online, 7 p.m.<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.25.1″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″]<\/p>\n

12.14.2021<\/strong>
Pilar Aymerich, Judith Prat and Isabel Segura Soriano
Feminist Vindication, 1976<\/em>
In person and online, 7 p.m.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

12.21.2021<\/strong>
Susan Meiselas
Nicaragua: Reflecting
Back and Forward<\/em>
Online, 7 p.m.<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

January<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]01.11.2022<\/strong>
\nSamuel Aranda y Anna Surinyach
\nLa Primavera \u00c1rabe (2010-2012)<\/em>
\nIn person and online, 7 p.m.<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_enable_color=”off” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Photography Speaks of RevolutionsIn one way or another each new generation makes its mark on inherited history, brandishing new values and criteria with which to analyze and organize reality. In some cases this need for change leads to a rupture, a fundamental transformation in social order or its foundations. We generally term these breaks, covering […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":48339,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-51300","page","type-page","status-publish","hentry"],"yoast_head":"\nConference Cycle "PhotographySpeaks of Revolutions"<\/title>\n<meta name=\"description\" content=\"Aquest cicle de confer\u00e8ncies i taules rodones busca analitzar la relaci\u00f3 entre la fotografia i el fenomen revolucionari. Entra aqu\u00ed per con\u00e8ixer el programa.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kbr.fundacionmapfre.org\/en\/activities\/photography-revolutions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Conference Cycle "PhotographySpeaks of Revolutions"\" \/>\n<meta property=\"og:description\" content=\"Aquest cicle de confer\u00e8ncies i taules rodones busca analitzar la relaci\u00f3 entre la fotografia i el fenomen revolucionari. Entra aqu\u00ed per con\u00e8ixer el programa.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/kbr.fundacionmapfre.org\/en\/activities\/photography-revolutions\/\" \/>\n<meta property=\"og:site_name\" content=\"KBr - Fundaci\u00f3n MAPFRE - Barcelona Photo Center\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-02T14:59:43+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2021\/08\/revolucion-fotografia-1200x600-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"600\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:image\" content=\"https:\/\/kbr.fundacionmapfre.org\/wp-content\/uploads\/2021\/08\/revolucion-fotografia-1200x600-1.jpg\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"19 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/kbr.fundacionmapfre.org\/en\/activities\/photography-revolutions\/\",\"url\":\"https:\/\/kbr.fundacionmapfre.org\/en\/activities\/photography-revolutions\/\",\"name\":\"Conference Cycle \\\"PhotographySpeaks of Revolutions\\\"\",\"isPartOf\":{\"@id\":\"https:\/\/kbr.fundacionmapfre.org\/en\/#website\"},\"datePublished\":\"2021-08-24T11:23:17+00:00\",\"dateModified\":\"2024-12-02T14:59:43+00:00\",\"description\":\"Aquest cicle de confer\u00e8ncies i taules rodones busca analitzar la relaci\u00f3 entre la fotografia i el fenomen revolucionari. 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