[et_pb_section fb_built=”1″ _builder_version=”4.16″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/panoramic-1240×827-1.jpg” module_alignment=”center” min_height=”550px” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.82)” width=”65%” custom_margin=”100px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

EXTIMACY
(public, private, secret)<\/h1>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”65%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]<\/p>\n

Extimacy<\/em> is a term of psychoanalytical origin that designates the externalization of intimacy: in a reversion similar to turning a sock inside out, the private becomes public. Social networks have been a privileged territory for the practice of extimacy, to which the youngest users in particular have recourse in order to obtain a form of social recognition. But exceptional circumstances, such as confinement due to the coronavirus pandemic, have familiarized us with telematic communication channels with which we have naturally come to share sections of our private environments. Extimacy has been the subject of study in the social sciences and an inspirational theme enthroned by literature, film and the visual arts. Specialists in these disciplines will deal with extimacy from their own creative experience.<\/strong><\/p>\n

Under the direction of Joan Fontcuberta, Sophie Calle, Pau Waelder, Antoine d’Agata, Lolita Bosch and Mireia Sallar\u00e8s examined extimacy from their own creative experience.<\/p>\n

[\/et_pb_text][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/10\/panoramic-logo.png” alt=”Panor\u00e0mic Festival” title_text=”Panor\u00e0mic Festival” align=”center” _builder_version=”4.16″ max_width=”400px” max_width_tablet=”” max_width_phone=”” max_width_last_edited=”on|desktop” locked=”off” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ locked=”off” global_colors_info=”{}”]<\/p>\n

Panor\u00e0mic series of lectures \u2013 KBr Fundaci\u00f3n MAPFRE<\/h2>\n

(4th-7th November 2020)
\nDirected by Joan Fontcuberta<\/p>\n

<\/strong><\/p>\n

Sophie Calle: \u201cWall stories\u201d.\u00a0<\/strong>Introduced and moderated by Joan Fontcuberta<\/p>\n

Pau Waelder: \u201cI share, therefore I am: vigilance and self-exposure\u201d.\u00a0<\/strong>Introduced and moderated by Andr\u00e9s Hispano<\/p>\n

Antoine d\u2019Agata: \u201cNaked Life\u201d.\u00a0\u00a0<\/strong>Introduced and moderated by Joan Fontcuberta<\/p>\n

Lolita Bosch: \u201cIntimacy in literature and personal intimacy. Two paths made divergent by creation\u201d.\u00a0<\/strong>Introduced and moderated by F\u00e8lix Perez-Hita.<\/p>\n

Mireia Sallar\u00e8s: \u201cOrgasms as a space for political struggle\u201d.\u00a0<\/strong>Introduced and moderated by Merc\u00e8 Alsina[\/et_pb_text][et_pb_text _builder_version=”4.16″ header_2_line_height=”2em” locked=”off” global_colors_info=”{}”]<\/p>\n

Speaker biographies<\/h2>\n

Lolita Bosch<\/strong>\u00a0(Barcelona, 1970) has also lived in Albons (Girona), the USA, India and Mexico: the latter being the country she has considered home for many years. She is a novelist who has had more than 80 books published. She devotes 30% of her work and time to activist projects. As an alternative way of thinking about and understanding writing, she has created a literary self-learning method applied to working with victims, thus continuing the search for practical applications in peacebuilding; especially through art, journalism and humanities.<\/p>\n

Sophie Calle\u00a0<\/strong>(Paris, 1953) is a French artist who has exhibited extensively throughout the world since the late 70s. Often identified as a conceptual artist, photographer, film director and even as a detective, she has developed a practice that is immediately recognizable for its diverse narrative elements as well as the frequent combination of image and text. Each of her projects can be considered as a chapter withing a vast set of references and echoes, in which Calle often blurs the boundaries between the intimate and the public, reality and fiction, art and life. In 2007 she represented France at the 52nd Venice Biennale with the exhibition entitled Take care of yourself<\/em>, which subsequently toured around 20 museums worldwide.<\/p>\n

Antoine d\u2019Agata<\/strong>\u00a0(Marseille, 1961) is a photographer, film maker and member of the Magnum Photos agency. She studied at the ICP (NY) and, among other plaudits, she is a winner of the Ni\u00e9pce Prize (2001) and the Rencontres d\u2019Arles Author’s Book Award (2013). Her photographs form part of a number of international collections and she exhibits in various museums throughout the world. Her work has two perspectives:\u00a0daytime violence<\/em>\u00a0or economic violence (migration, refugees, poverty and war) and\u00a0night-time violence<\/em>\u00a0(the survival of groups marginalized by drugs, abuse and sexual violence).\u00a0<\/strong><\/p>\n

Mireia Sallar\u00e8s<\/strong>\u00a0(Barcelona, 1973) is an artist and visiting professor at ISDAT. She lives in transit between Barcelona and other foreign cities where she carries out her projects which are all the result of extensive research on vital subjects such as violence, pleasure, truth, love and work. Her latest project\u00a0Kao malo vode na dlanu\u00a0<\/em>won the City of Barcelona Visual Arts Award 2019 and the ACCA 2019.\u00a0Las Muertes Chiquitas<\/em>, her best-known international work, was shown as part of Feminismes!<\/em>\u00a0at the CCCB and Arc\u00e0dia has republished the book.<\/p>\n

Pau\u00a0Waelder<\/strong>\u00a0(Palma, 1974)
Curator,\u00a0writer and researcher specializing in art and new media. He has a doctorate in Information and Knowledge Society from the Open University of Catalonia (UOC). He is an associate professor at the UOC, as well as teaching degree and postgraduate courses in curating at the ESDi and the NODE\u00a0Center for\u00a0Curatorial Studies. His work explores the different aspects of interaction between art, technology and society, as well as the relationships between digital art and the art market.\u00a0<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/extimidad-01-es-1280×720-1.jpg” alt=”Sophie Calle” title_text=”Extimacy. Sophie Calle” url=”https:\/\/www.youtube.com\/watch?v=X3XzuEuIEzY” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/extimidad-02-es-1280×720-1.jpg” alt=”Pau Waelder” title_text=”Extimacy. Pau Waelder” url=”https:\/\/www.youtube.com\/watch?v=TxYu_KgxPos” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/extimidad-03-es-1280×720-1.jpg” alt=”Antoine d’Agata” title_text=”Extimacy. 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Mireia Sallar\u00e8s” url=”https:\/\/www.youtube.com\/watch?v=CUdtWbHK3D0″ url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.25.1″ hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=X3XzuEuIEzY” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/12\/extimidad-01-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=TxYu_KgxPos” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/12\/extimidad-02-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=Sg0quYk0nQc” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/12\/extimidad-03-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.25.1″ width=”50%” width_tablet=”80%” width_phone=”80%” width_last_edited=”on|phone” custom_margin_tablet=”” custom_margin_phone=”0px||||false|false” custom_margin_last_edited=”on|phone” custom_padding=”0px||||false|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=Ht9eDrC-wE4″ image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/12\/extimidad-04-1280×720-1.jpg” use_icon_font_size=”on” icon_font_size=”50px” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=CUdtWbHK3D0″ image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/12\/extimidad-05-1280×720-1.jpg” use_icon_font_size=”on” icon_font_size=”50px” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

EXTIMACY(public, private, secret)Extimacy is a term of psychoanalytical origin that designates the externalization of intimacy: in a reversion similar to turning a sock inside out, the private becomes public. Social networks have been a privileged territory for the practice of extimacy, to which the youngest users in particular have recourse in order to obtain a […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":48339,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-48313","page","type-page","status-publish","hentry"],"yoast_head":"\n