{"id":58862,"date":"2024-02-23T11:27:58","date_gmt":"2024-02-23T10:27:58","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/activitats\/la-camara-domestica-historias-de-la-fotografia-amateur\/"},"modified":"2024-11-22T10:39:30","modified_gmt":"2024-11-22T09:39:30","slug":"la-camara-domestica-historias-de-la-fotografia-amateur","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/ca\/activitats\/la-camara-domestica-historias-de-la-fotografia-amateur\/","title":{"rendered":"La c\u00e0mera dom\u00e8stica Hist\u00f2ries de la fotografia amateur"},"content":{"rendered":"

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La c\u00e0mera dom\u00e8stica<\/strong><\/h1>\n

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Hist\u00f2ries de la fotografia amateur<\/h2>\n

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Vista de l’exposici\u00f3 La c\u00e0mera dom\u00e8stica. L’afici\u00f3 fotogr\u00e0fica a Catalunya (ca. 1880-1936)<\/em>, KBr Fundaci\u00f3n MAPFRE, 2024. \u00a9 David Campos<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.23.4″ width=”65%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ global_colors_info=”{}”]<\/p>\n

Sota la direcció de Núria F. Rius, comissària de La càmera domèstica. L’afició fotogràfica a Catalunya (ca. 1880-1936)<\/em>, que pot veure’s fins al 12 de maig al KBr Fundació MAPFRE, aquest cicle convoca a reconeguts historiadors i especialistes entorn d’un dels aspectes més interessants de la història de la fotografia: l’aparició i extensió de la fotografia aficionada o amateur<\/em>.<\/p>\n

Aquest procés, que sorgeix a la fi del segle XIX i no ha deixat de cobrar importància fins a l’actualitat, permet observar i analitzar els contextos socials i culturals de la pràctica fotogràfica, la forma en què la fotografia s’introdueix en l’esfera privada i molts altres aspectes que ens ajuden a entendre el paper que la fotografia exerceix en la nostra cultura.<\/p>\n

Al cicle hi participen María Rosón, Beatriz Pichel, Mónica Alonso, Pedro Vicente, Elizabeth Edwards, Christian Joschke i Geoffrey Batchen. Les seves contribucions són un clar exemple de l’esforç que està duent a terme la historiografia canònica de la fotografia per donar cabuda a l’amateurisme entre els seus àmbits d’interès.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ link_text_color=”#e4151f” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Les noves inscripcions s’atendran fins 3 hores abans de l’inici de cada sessi\u00f3.
\n<\/strong><\/p>\n

Per a qualsevol incid\u00e8ncia, si us plau dirigeixi’s a infokbr@fundacionmapfre.org<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.24.0″ width=”65%” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_button button_url=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/02\/kbr-la-camara-domestica-cat.pdf” url_new_window=”on” button_text=”Descarrega el programa (PDF 198KB) ” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.24.0″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”6px||50px||false|false” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_css_main_element=”display:flex;||flex-direction:row;” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Dates” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.24.0″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]<\/p>\n

5, 6, 7, 12, 13, 14 i 19
de mar\u00e7 de 2024<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Hora” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.23.4″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]<\/p>\n

19 horas<\/p>\n

[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Format” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.24.0″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]<\/p>\n

Presencial i Online<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”65%” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ header_2_font=”|600|||||||” header_2_text_align=”center” global_colors_info=”{}”]<\/p>\n

Programa<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Mar\u00e7<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.24.0″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]05.03.2024<\/strong>
\nMar\u00eda Ros\u00f3n
\nUna hist\u00f2ria d’amor dins d’una
\nhist\u00f2ria: fotografia personal
\nfins al desenvolupisme (1940-1960)<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]06.03.2024<\/strong>
\nBeatriz Pichel
\nFotografia amateur, emocions
\ni experi\u00e8ncies de guerra<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]07.03.2024<\/strong>
\nM\u00f3nica Alonso
\nHabitar el present. Fotografia
\ndom\u00e8stica, afectes i po\u00e8tiques
\nde la resist\u00e8ncia en la postguerra<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.24.0″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

12.03.2024<\/strong>
Pedro Vicente
Narratives dom\u00e8stiques. L’\u00e0lbum de fam\u00edlia
i els seus usos, reusos i reciclatges en
les pr\u00e0ctiques art\u00edstiques contempor\u00e0nies<\/em>
19 h, presencial i online<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

13.03.2024<\/strong>
Elizabeth Edwards
Fot\u00f2grafs aficionats: societat civil,
intercanvi social i b\u00e9ns comuns
a Gran Bretanya 1880-1920<\/em>
19 h, presencial i online<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]14.03.2024<\/strong>
\nChristian Joschke
\nFotografia vernacla, dom\u00e8stica i
\namateur. Reformulant les pr\u00e0ctiques
\nde la imatge als segles XIX i XX<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.24.0″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]19.03.2024<\/strong>
\nGeoffrey Batchen
\nFotografia amateur,
\nuna hist\u00f2ria d’amor<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/maria-roson-es-1280×720-1.jpg” alt=”Mar\u00eda Ros\u00f3n ” title_text=”Mar\u00eda Ros\u00f3n. Una hist\u00f2ria d\u2019amor dins d\u2019una hist\u00f2ria: fotografia personal fins al desenvolupisme (1940-1960)” url=”https:\/\/www.youtube.com\/watch?v=rQijzMYFNoo” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/pichel-es-1280×720-1.jpg” alt=”Beatriz Pichel” title_text=”Beatriz Pichel Fotografia amateur, emocions i experi\u00e8ncies de guerra” url=”https:\/\/www.youtube.com\/watch?v=GpeHNtLgLU8″ url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/11\/alonso-es-1280×720-1.jpg” alt=”M\u00f3nica Alonso” title_text=”M\u00f3nica Alonso Habitar el present. 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