{"id":57642,"date":"2023-09-23T00:12:04","date_gmt":"2023-09-22T22:12:04","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/?page_id=57642"},"modified":"2024-05-28T22:15:36","modified_gmt":"2024-05-28T20:15:36","slug":"william-eggleston","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/ca\/exposicions\/william-eggleston\/","title":{"rendered":"William Eggleston. El misteri de la quotidianitat"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_2,1_2″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/portada-eggleston-v2-768×1162-1.jpg” alt=”Untitled, c. 1970-1973 \u00a9 Eggleston Artistic Trust Courtesy Eggleston Artistic Trust and David Zwirner” title_text=”William Eggleston” show_bottom_space=”off” _builder_version=”4.22.1″ custom_margin=”||10px||false|false” global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.22.1″ text_font_size=”12px” text_line_height=”1.3em” custom_margin=”||||false|false” global_colors_info=”{}”]<\/p>\n

William Eggleston<\/strong>
Sense t\u00edtol<\/em>, c. 1970-1973
\u00a9 Eggleston Artistic Trust. Cortesia Eggleston Artistic Trust y David Zwirner<\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ background_color=”#f6f6f6″ custom_padding=”25px|25px|25px|25px|true|true” global_colors_info=”{}”][et_pb_text _builder_version=”4.21.0″ header_font=”DM Sans|700|||||||” header_font_size=”45px” header_2_font=”DM Sans||on||||||” custom_margin=”||35px||false|false” global_colors_info=”{}”]<\/p>\n

William Eggleston<\/h1>\n
El misteri de la quotidianitat<\/h2>\n
Del 28 de setembre al 28 de gener del 2024<\/strong>[\/et_pb_text][et_pb_blurb title=”Descobreix l\u00b4exposici\u00f3” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4031f” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n
En els seus inicis, William Eggleston es va veure influenciat per l’obra de Walker Evans i Henri Cartier-Bresson fins que va considerar que la fotografia en blanc i negre no reflectia la vida tal com ell la veia. Aleshores va decidir provar el color, un recurs exclòs fins aleshores de la fotografia artística i l’ús del qual es limitava principalment a la publicitat i la il·lustració de revistes.<\/p>\n
Així, a partir de 1965 Eggleston es submergeix en un univers estrany i familiar alhora, des d’on explora la vida quotidiana de les petites ciutats del sud dels Estats Units, on va néixer i es va criar. Fotografia després tot allò que s’ofereix a la seva mirada: botigues de queviures i bars, taulells d’oficina, objectes d’ús quotidià, supermercats, estacions de servei, senyals de trànsit, familiars, amics, etc., imatges que semblen buscar el potencial estètic de la vida quotidiana i el veritable motiu del qual sembla no ser un altre que la vida mateixa, però que alhora ens ofereix un testimoni únic i absorbent de les profundes transformacions socials (la multiplicació de l’automòbil, la funció social dels centres comercials, etc.) derivades de l’acceleració de la societat de consum.<\/p>\n
Organitzada cronològicament, aquesta àmplia antologia recull les seves obres inicials en blanc i negre i tota la seva trajectòria posterior en color.<\/p>\n
[\/et_pb_blurb][et_pb_blurb title=”La banalitat de la vida quotidiana” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” custom_margin=”35px||||false|false” icon_font_size=”25px” global_colors_info=”{}”]<\/p>\n
Els protagonistes de les fotografies d’Eggleston acostumen a ser motius quotidians sense cap atractiu aparent: sabates velles, un congelador ple de menjar, una jaqueta penjada, l’interior d’un bany, un cami\u00f3 aparcat en una via de servei, etc., i malgrat aix\u00f2 les seves fotografies no tenen res d’ordinari. L’artista aviat va demostrar que era capa\u00e7 de convertir el m\u00e9s senzill en quelcom interessant i enigm\u00e0tic i que, encara que el banal el seguia, tamb\u00e9 podia ser apassionant, com la vida mateixa.<\/p>\n
[\/et_pb_blurb][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#FFFFFF” background_color=”#e4151f” custom_padding=”9px||9px||true|false” custom_padding_tablet=”9px||9px||true|false” custom_padding_phone=”|9px||9px|true|true” custom_padding_last_edited=”on|phone” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n
Venta online de entrades a partir del 20 de setembre<\/p>\n
[\/et_pb_text][et_pb_blurb title=”Materials” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”off|off|off” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||-15px||false|false” custom_padding=”||0px||false|false” icon_font_size=”25px” locked=”off” global_colors_info=”{}”][\/et_pb_blurb][et_pb_button button_url=”https:\/\/documentacion.fundacionmapfre.org\/documentacion\/publico\/es\/bib\/183907.do” url_new_window=”on” button_text=”Descobriu els recursos de l’exposici\u00f3” button_alignment=”left” button_alignment_tablet=”left” button_alignment_phone=”center” button_alignment_last_edited=”on|phone” disabled_on=”off|off|off” _builder_version=”4.22.1″ custom_button=”on” button_text_size=”13px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”||divi||400″ custom_margin=”20px|||48px|false|false” custom_margin_tablet=”20px|||48px|false|false” custom_margin_phone=”|||0px|false|false” custom_margin_last_edited=”on|phone” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_bg_enable_color__hover=”on” button_border_color__hover_enabled=”on|hover” button_border_color__hover=”#ffffff”][\/et_pb_button][et_pb_blurb title=”Materials” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”on|on|on” _builder_version=”4.22.1″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||||false|false” icon_font_size=”25px” disabled=”on” global_colors_info=”{}”]<\/p>\n
Descobriu els recursos de l’exposici\u00f3<\/a><\/p>\n
[\/et_pb_blurb][et_pb_blurb title=”Actividades” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” disabled_on=”on|on|on” _builder_version=”4.17.6″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” body_line_height=”1.5em” body_link_text_color=”#e4151f” custom_margin=”35px||||false|false” icon_font_size=”25px” disabled=”on” global_colors_info=”{}”]<\/p>\n
Conversaci\u00f3n con Bleda y Rosa (martes, 7 junio) <\/a><\/p>\n
[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.22.1″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/parallax-eggleston-v2-1920.jpg” parallax=”on” parallax_method=”off” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_5,3_5″ _builder_version=”4.16″ custom_margin=”75px||75px||true|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.22.1″ text_text_color=”#ffffff” header_2_font=”|600|||||||” header_2_text_color=”#FFFFFF” header_2_font_size=”27px” background_color=”rgba(51,51,51,0.69)” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n
El color<\/h2>\n
L’any 1935 la marca Agfa va desenvolupar la seva pel\u00b7l\u00edcula Agfacolor a Alemanya i Kodak va presentar la seva Kodachrome als Estats Units, per\u00f2 no era econ\u00f2mica, per la qual cosa no estava a l’abast de tothom. La pel\u00b7l\u00edcula Kodachrome va assolir el seu punt \u00e0lgid a finals dels anys 60, per\u00f2 es va utilitzar, almenys inicialment, per a fotografies familiars o de viatges, que es considera fotografia vernacular. A partir de 1965, Eggleston va comen\u00e7ar a fotografiar en solitari en color amb delicadesa art\u00edstica, i no va ser l’\u00fanic: Stephen Shore, Joel Meyerowitz o Carlos P\u00e9rez-Siquier van ser alguns dels pioners de l’\u00fas del color en el mitj\u00e0.[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”1_4,1_2,1_4″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ width=”85%” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_blurb title=”On?” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.17.6″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” custom_margin=”||||false|false” icon_font_size=”25px” locked=”off” global_colors_info=”{}”]<\/p>\n
KBr Fundaci\u00f3n MAPFRE
Avenida Litoral, 30 \u2013 08005 Barcelona<\/p>\n
[\/et_pb_blurb][et_pb_blurb title=”Horari” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ icon_placement=”left” image_icon_width=”25px” _builder_version=”4.17.6″ header_level=”h2″ header_font_size=”18px” body_font_size=”13px” custom_margin=”||||false|false” icon_font_size=”25px” locked=”off” global_colors_info=”{}”]<\/p>\n
Dilluns (excepte festius): Tancat<\/span>
Dimarts a diumenge (i festius): de 11.00 a 20.00 h.<\/span><\/p>\n
[\/et_pb_blurb][et_pb_text disabled_on=”on|on|on” _builder_version=”4.22.1″ _module_preset=”default” text_text_color=”#FFFFFF” background_color=”#e4151f” custom_padding=”9px||9px||true|false” custom_padding_tablet=”9px||9px||true|false” custom_padding_phone=”|9px||9px|true|true” custom_padding_last_edited=”on|phone” disabled=”on” locked=”off” global_colors_info=”{}”]<\/p>\n
Venta online de entrades a partir del 20 de setembre<\/p>\n
[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ global_colors_info=”{}”][dica_divi_carousel show_items_desktop=”1″ show_items_tablet=”1″ multislide=”on” transition_duration=”6500″ loop=”on” autoplay=”on” hoverpause=”on” advanced_effect=”1″ arrow_nav_color=” #e4151e” disabled_on=”off|off|off” _builder_version=”4.22.1″ locked=”off” global_colors_info=”{}”][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/carrusel-eggleston-03-768×525-1.jpg” image_alt=”William Eggleston. Sense t\u00edtol, c. 1971-1974. \u00a9 Eggleston Artistic Trust. Cortesia Eggleston Artistic Trust y David Zwirner” content_padding=”5px||0||false|true” _builder_version=”4.22.1″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n
William Eggleston<\/strong>
Sense t\u00edtol<\/em>, c. 1971-1974. \u00a9 Eggleston Artistic Trust.
Cortesia Eggleston Artistic Trust y David Zwirner<\/p>\n
[\/dica_divi_carouselitem][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/carrusel-eggleston-02-768×525-1.jpg” image_alt=”William Eggleston Sense t\u00edtol, c. 1970-1973. \u00a9 Eggleston Artistic Trust. Cortesia Eggleston Artistic Trust y David Zwirner” content_padding=”5px||0||false|true” _builder_version=”4.22.1″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n
William Eggleston
<\/strong>Sense t\u00edtol<\/em>, c. 1970-1973. \u00a9 Eggleston Artistic Trust.
Cortesia Eggleston Artistic Trust y David Zwirner<\/p>\n
[\/dica_divi_carouselitem][dica_divi_carouselitem button_url_new_window=”1″ image=”https:\/\/kbr.fundacionmapfre.org\/media\/2023\/09\/eggleston-v2-768×509-1.jpg” image_alt=”William Eggleston Sense t\u00edtol, c. 1970-1973. \u00a9 Eggleston Artistic Trust. Cortesia Eggleston Artistic Trust y David Zwirner” content_padding=”5px||0||false|true” _builder_version=”4.22.1″ body_font_size=”11px” body_line_height=”1.5em” global_colors_info=”{}”]<\/p>\n
William Eggleston
<\/strong>Sense t\u00edtol<\/em>, c. 1970-1973. \u00a9 Eggleston Artistic Trust.
Cortesia Eggleston Artistic Trust y David Zwirner<\/p>\n
[\/dica_divi_carouselitem][\/dica_divi_carousel][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_testimonial _builder_version=”4.22.1″ body_text_align=”center” body_font_size=”18px” text_orientation=”center” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”]\u201cNo m\u2019imaginava capa\u00e7 de fer quelcom de millor que una c\u00f2pia perfecta de Cartier-Bresson. I finalment ho vaig aconseguir. Per\u00f2 va arribar un moment \u2014entenc que va tenir a veure amb el desig de cercar les meves arrels i venir a Memphis\u2014, perqu\u00e8 aleshores no tenia aquests mentors, en qu\u00e8 vaig haver d\u2019acceptar que havia de sortir a la recerca de paisatges desconeguts. La novetat en aquella \u00e8poca eren els centres comercials, aix\u00ed que els vaig fotografiar\u201d. [\/et_pb_testimonial][et_pb_text _builder_version=”4.21.0″ text_font=”|700|||||||” text_font_size=”14px” background_color=”#f5f5f5″ text_orientation=”right” custom_margin=”0px||||false|false” custom_padding=”10px|15px|15px|15px|false|true” global_colors_info=”{}”]<\/p>\n
W. Eggleston<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
Exposici\u00f3 de William Eggleston “El misteri del quotidi\u00e0” al Centre de Fotografia KBr del 28\/09\/2023 al 28\/01\/2027. T’esperem!<\/p>\n","protected":false},"author":12,"featured_media":57677,"parent":48467,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-57642","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"\nExposici\u00f3 de William Eggleston a KBr - Fundaci\u00f3n MAPFRE<\/title>\n<meta name=\"description\" content=\"Exposici\u00f3 de William Eggleston "El misteri del quotidi\u00e0" al Centre de Fotografia KBr del 28\/09\/2023 al 28\/01\/2027. 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