{"id":51299,"date":"2021-08-24T13:23:17","date_gmt":"2021-08-24T11:23:17","guid":{"rendered":"https:\/\/kbr.fundacionmapfre.org\/activitats\/fotografia-revolucion\/"},"modified":"2024-12-02T15:41:18","modified_gmt":"2024-12-02T14:41:18","slug":"fotografia-revolucions","status":"publish","type":"page","link":"https:\/\/kbr.fundacionmapfre.org\/ca\/activitats\/fotografia-revolucions\/","title":{"rendered":"La fotografia parla de revolucions"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.16″ background_image=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/08\/revolucion-fotografia-1240×827-1.jpg” background_position=”top_left” module_alignment=”center” min_height=”550px” da_disable_devices=”off|off|off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.16″ background_color=”rgba(255,255,255,0.82)” width=”65%” custom_margin=”100px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_3″ _builder_version=”4.16″ custom_css_main_element=” display: flex;|| flex-direction: column;|| justify-content: center;” global_colors_info=”{}”][et_pb_text _builder_version=”4.23.1″ header_font=”DM Sans|600|||||||” header_text_align=”center” header_text_color=”#d81e05″ header_font_size=”60px” header_font_size_tablet=”” header_font_size_phone=”35px” header_font_size_last_edited=”on|phone” global_colors_info=”{}”]<\/p>\n

La fotografia parla de revolucions<\/h1>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2020\/09\/Kbr-140×154-1.png” alt=”KBr Barcelona Photo Center” title_text=”KBr Barcelona Photo Center” _builder_version=”4.16″ max_width=”140px” max_width_tablet=”” max_width_phone=”100px” max_width_last_edited=”on|phone” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ da_disable_devices=”off|off|off” collapsed=”off” global_colors_info=”{}” da_is_popup=”off” da_exit_intent=”off” da_has_close=”on” da_alt_close=”off” da_dark_close=”off” da_not_modal=”on” da_is_singular=”off” da_with_loader=”off” da_has_shadow=”on”][et_pb_row _builder_version=”4.16″ width=”65%” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]D’una o altra manera, tota nova generaci\u00f3 tracta d’imposar-se sobre la hist\u00f2ria heretada, enarborant nous valors i criteris amb els quals analitzar i organitzar la realitat. A vegades aquesta necessitat de canvi desemboca en una ruptura o gir radical de l’ordre social, o de parts significatives d’aquest. \u00c9s el que, abastant un ampli arc de situacions, solem denominar revolucions. Les imatges que se’n conserven resulten un element essencial per reconstruir l’inevitable caos d’instants arrabassats i violents en qu\u00e8 es desenvolupen. [\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”2_5,3_5″ use_custom_gutter=”on” gutter_width=”2″ _builder_version=”4.16″ width=”65%” custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”2_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/08\/paolo-gasparini-768×939-1.jpg” alt=”Paolo Gasparini Miliciano, Trinidad, Cuba, 1961″ title_text=”Paolo Gasparini” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.16″ text_font_size=”12px” text_line_height=”1.3em” locked=”off” global_colors_info=”{}”]Paolo Gasparini<\/strong>
\nMilici\u00e0<\/em>, Trinidad, Cuba, 1961
\nCol\u00b7leccions Fundaci\u00f3n MAPFRE
\n\u00a9 Paolo Gasparini[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ global_colors_info=”{}”]En cadascuna de les revolucions que s’aborden en aquest cicle, la fotografia va complir un o diversos papers rellevants: com a testimoni, den\u00fancia, eina per a l’agitaci\u00f3, propaganda expl\u00edcita o encoberta, instrument d’an\u00e0lisi social, territori per al comprom\u00eds del fot\u00f2graf, prolongaci\u00f3 de l’experi\u00e8ncia revolucion\u00e0ria\u2026. La intenci\u00f3 d’aquesta proposta \u00e9s, en \u00faltim terme, confrontar-nos una vegada m\u00e9s amb el paper de la fotografia per tal d’explicar el m\u00f3n<\/strong>, ara a trav\u00e9s d’unes conjuntures hist\u00f2riques concretes i transcendentals del m\u00f3n contemporani.<\/p>\n

El cicle es desenvoluparà de manera presencial a l’auditori del KBr Fundació MAPFRE<\/strong> excepte en casos puntuals, degudament assenyalats en el programa, en què les intervencions seran només en línia<\/em>. Les sessions presencials seran també retransmeses en línia<\/em>.<\/p>\n

De la m\u00e0 de la historiadora de la fotografia Laura Terr\u00e9<\/strong> (Universitat de Barcelona), el cicle comptar\u00e0 amb la participaci\u00f3 de: Mathilde Larr\u00e8re; Nicolas Liucci-Goutnikov; Andr\u00e9s Antebi; Robert Pledge; Leigh Raiford; Paul F. Goldsmith; Pepe Baeza; Cristina Vives; Pilar Aymerich, Judith Prat i Isabel Segura; Susan Meiselas; Samuel Aranda i Anna Surinyach.[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ link_text_color=”#e4151f” text_orientation=”center” global_colors_info=”{}”]Les noves inscripcions s’atendran fins a 3 hores abans de l’inici de cada sessi\u00f3. <\/strong><\/p>\n

Per a qualsevol incid\u00e8ncia, si us plau adreci\u2019s a infokbr@fundacionmapfre.org<\/a><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_button button_url=”https:\/\/kbr.fundacionmapfre.org\/media\/2021\/12\/kbr-programa-la-fotografia-habla-de-revoluciones-cat.pdf” url_new_window=”on” button_text=”Descarrega el programa (PDF 215KB) ” button_alignment=”center” disabled_on=”off|off|off” _builder_version=”4.16″ custom_button=”on” button_text_size=”15px” button_text_color=”#ffffff” button_bg_color=”#e4151f” button_border_color=”#e4151f” button_icon=”E||divi||400″ custom_margin=”6px||50px||false|false” locked=”off” global_colors_info=”{}” button_text_color__hover=”#e4151f” button_text_color__hover_enabled=”on|hover” button_bg_color__hover=”#ffffff” button_bg_color__hover_enabled=”on|desktop” button_border_color__hover=”#ffffff” button_border_color__hover_enabled=”on|desktop”][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Dates” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]5, 19 i 26 d’octubre
\n9, 16, 23 i 30 de novembre
\n2, 14 i 21 de desembre
\n11 de gener [\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Hora” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]19 hores<\/p>\n

(Excepte els dies 05.10.21 i 19.10.21 a les 20h)[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_blurb title=”Format” use_icon=”on” font_icon=”||divi||400″ icon_color=”#969696″ image_icon_width=”60px” _builder_version=”4.16″ header_level=”h2″ header_font_size=”20px” body_font_size=”14px” body_line_height=”1.5em” text_orientation=”center” custom_margin=”20px||||false|false” icon_font_size=”60px” global_colors_info=”{}”]Presencial i online[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/mathilde-es-1280×720-1.jpg” alt=”Mathilde Larr\u00e8re” title_text=”Mathilde Larr\u00e8re Fotografies de la Comuna, fotografies de Versalles: la batalla de les imatges” url=”https:\/\/www.youtube.com\/watch?v=v0XvuDyCiEk” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/nicolas-liucci-es-1280×720-1.jpg” alt=”Nicolas Liucci-Goutnikov” title_text=”Nicolas Liucci-Goutnikov Fotografia i factografia a l\u2019URSS d\u2019entreguerres” url=”https:\/\/www.youtube.com\/watch?v=sap87k4gVbU” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/andres-antebi-es-1280×720-1.jpg” alt=”Andr\u00e9s Antebi” title_text=”Andr\u00e9s Antebi Un breu fulgor.” url=”https:\/\/www.youtube.com\/watch?v=fpt5cwnsZZM” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/robert-es-1280×720-1.jpg” alt=”Robert Pledge” title_text=”Robert Pledge La Xina 1966-1976: la revoluci\u00f3 dins de la revoluci\u00f3” url=”https:\/\/www.youtube.com\/watch?v=OEsKzRSIw0k” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/leigh-es-1280×720-1.jpg” alt=”Leigh Raiford” title_text=”Leigh Raiford Aparentar ser lliures” url=”https:\/\/www.youtube.com\/watch?v=Qh69RKfrFiU” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/goldsmith-es-1280×720-1.jpg” alt=”Paul F. Goldsmith” title_text=”Paul F. Goldsmith La influ\u00e8ncia duradora de la Primavera de Praga i la invasi\u00f3 sovi\u00e8tica” url=”https:\/\/www.youtube.com\/watch?v=a3-6Pjw5eoo” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ disabled_on=”off|off|off” _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” locked=”off” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_image src=”https:\/\/kbr.fundacionmapfre.org\/media\/2024\/12\/pepe-baeza-es-1280×720-1.jpg” alt=”Pepe Baeza” title_text=”Pepe Baeza La fotografia en la revoluci\u00f3 portuguesa de 1974″ url=”https:\/\/www.youtube.com\/watch?v=_DEc94I-lhc” url_new_window=”on” _builder_version=”4.25.1″ _module_preset=”default” hover_enabled=”0″ global_colors_info=”{}” sticky_enabled=”0″][\/et_pb_image][\/et_pb_column][et_pb_column 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_builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=_DEc94I-lhc” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/01\/pepe-baeza-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=oBgc-h9H3QE” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/01\/cristina-vives-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=PwcQ8Clj4O8″ image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/01\/pilar-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ _builder_version=”4.25.1″ custom_margin=”25px||25px||true|false” hover_enabled=”0″ locked=”off” global_colors_info=”{}” disabled_on=”on|on|on” disabled=”on” sticky_enabled=”0″][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=iGc6uTQah0Q” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/02\/samuel-es-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_video src=”https:\/\/www.youtube.com\/watch?v=kI6XnUQ0R-I” image_src=”https:\/\/kbr.fundacionmapfre.org\/media\/2022\/02\/susan-es-1280×720-1.jpg” thumbnail_overlay_color=”rgba(0,0,0,0.6)” _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_video][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ width=”65%” custom_margin=”||0px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ header_2_font=”|600|||||||” header_2_text_align=”center” global_colors_info=”{}”]<\/p>\n

Programa<\/h2>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Octubre<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]05.10.2021<\/strong>
\nMathilde Larr\u00e8re
\nFotografies de la Comuna, fotografies de Versalles: la batalla de les imatges<\/em>
\n 20 h, online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]19.10.2021<\/strong>
\nNicolas Liucci-Goutnikov
\nFotografia i factografia a l\u2019URSS d\u2019entreguerres <\/em>
\n 20 h, online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]26.10.2021<\/strong>
\nAndr\u00e9s Antebi
\nUn breu fulgor. Imatges de la revoluci\u00f3 social a Barcelona, 1936-1937<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Novembre<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_4,1_4,1_4,1_4″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]09.11.2021<\/strong>
\nRobert Pledge
\nLa Xina 1966-1976: la revoluci\u00f3 dins de la revoluci\u00f3 fotografiada per Li Zhensheng<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

16.11.2021<\/strong>
Leigh Raiford
Aparentar ser lliures:
la fotografia i el Black Power<\/em>
20 h, online<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]23.11.2021<\/strong>
\nPaul F. Goldsmith
\nLa influ\u00e8ncia duradora de la Primavera de Praga i la invasi\u00f3 sovi\u00e8tica. Una mirada a la connexi\u00f3 personal d\u2019un fot\u00f2graf amb la Hist\u00f2ria, i la resson\u00e0ncia de les imatges abans, durant i despr\u00e9s de la invasi\u00f3 de l\u2019agost de 1968<\/em>
\n20 h, online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_4″ _builder_version=”4.16″ background_enable_color=”off” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]30.11.2021<\/strong>
\nPepe Baeza
\nLa fotografia en la revoluci\u00f3
\nportuguesa de 1974<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Desembre<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]02.12.2021<\/strong>
\nCristina Vives
\nCultura i contracultura en la fotografia de la revoluci\u00f3 cubana. En cerca del subjecte revolucionari<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]14.12.2021<\/strong>
\nPilar Aymerich, Judith Prat e Isabel Segura Soriano
\nVindicaci\u00f3 feminista, 1976<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]<\/p>\n

21.12.2021<\/strong>
Susan Meiselas
Nicaragua: reflexionant cap endarrere i cap endavant<\/em>
19 h, online<\/span><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ custom_margin=”||10px||false|false” custom_padding=”||0px||false|false” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Gener<\/h3>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_3,1_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ _builder_version=”4.16″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false” global_colors_info=”{}”][et_pb_column type=”1_3″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_color=”#f6f6f6″ global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ text_font_size=”13px” text_line_height=”1.4em” text_orientation=”center” custom_padding=”10px|10px|10px|10px|true|true” global_colors_info=”{}”]11.01.2022<\/strong>
\nSamuel Aranda y Anna Surinyach
\nLa Primavera \u00c0rab (2010-2012)<\/em>
\n19 h, presencial i online<\/span>[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.16″ background_enable_color=”off” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

La fotografia parla de revolucionsD’una o altra manera, tota nova generaci\u00f3 tracta d’imposar-se sobre la hist\u00f2ria heretada, enarborant nous valors i criteris amb els quals analitzar i organitzar la realitat. A vegades aquesta necessitat de canvi desemboca en una ruptura o gir radical de l’ordre social, o de parts significatives d’aquest. \u00c9s el que, abastant […]<\/p>\n","protected":false},"author":12,"featured_media":0,"parent":48338,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-51299","page","type-page","status-publish","hentry"],"yoast_head":"\nCicle de confer\u00e8ncies "La fotografia parla de revolucions"<\/title>\n<meta name=\"description\" content=\"Aquest cicle de confer\u00e8ncies i taules rodones busca analitzar la relaci\u00f3 entre la fotografia i el fenomen revolucionari. 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